tag:blogger.com,1999:blog-67074621961973048312024-03-27T23:55:07.305+00:00The Reviewing Rodders A site devoted to film reviews and articles, focused on the latest releases, and the gems deserving of more attention.James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.comBlogger1365125tag:blogger.com,1999:blog-6707462196197304831.post-72292649167988715252024-03-25T13:01:00.003+00:002024-03-25T13:01:43.660+00:00Late Night With The Devil (2024)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3LF4M59JNaCXRV4spf8NYIeGBH8szQ9LgX6beKp4PuGWnqmeyTpTIg1ytxatLOjiODfaIYkvXdSyYRxp4ak_0iJi-ftGxS9mt4n7PEnX2duTmQ6Ro4u7gZCqza9TtuIKIs2JSIhoAk5Ff67tXqfJ8co-SRX9FPEkTS_wTG_oIeH3q7Cs44B3EKRWuGuo/s2880/LNWTD_QUAD_MR.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2160" data-original-width="2880" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3LF4M59JNaCXRV4spf8NYIeGBH8szQ9LgX6beKp4PuGWnqmeyTpTIg1ytxatLOjiODfaIYkvXdSyYRxp4ak_0iJi-ftGxS9mt4n7PEnX2duTmQ6Ro4u7gZCqza9TtuIKIs2JSIhoAk5Ff67tXqfJ8co-SRX9FPEkTS_wTG_oIeH3q7Cs44B3EKRWuGuo/w200-h150/LNWTD_QUAD_MR.jpg" width="200" /></a></div><b><u>Director:</u></b> Cameron Cairnes, Colin Cairnes<p></p><p><b><u>Running Time:</u></b> 93 Minutes</p><p><b><u>Certification:</u></b> 15</p><p><b><u>Starring:</u></b> David Dastmalchian, Laura Gordon, Ian Bluss, Fayssal Bazzi, Ingrid Torelli, Rhys Auteri, Georgina Haig, Josh Quong Tart</p><p><br /></p><p>Opening their feature with the sight of a television set on a 1970s studio, co-writers/directors Cameron and Colin Cairnes ease viewers into this fictional world by depicting era-appropriate footage while an unseen narrator (Michael Ironside) sets the scene. Night Owls is a fictional late night talk-show from the '70s hosted by Jack Delroy (David Dastmalchian). While his growing audience propels him to new heights, he is stopped from reaching the top by ratings giant Johnny Carson.</p><p>His quest to be number one sees him trying to generate controversy, which leads Jack to use a Halloween episode for a series of paranormal occurrences. His plan involves para-psychologist and author Dr. June Ross-Mitchell (Laura Gordon). She has been treating Lilly (Ingrid Torelli), the sole survivor of a Satanic church's mass suicide who is also the subject of June's book, Conversations With The Devil. The film is presented as long-lost footage that has been discovered, with the recording depicting what went wrong during that live television broadcast in 1977.</p><p>Ever since his unsettling turn in <i>The Dark Knight</i>, David Dastmalchian has built a career with effective supporting roles that has seen him work with creatives such as Denis Villeneuve, David Lynch, and, erm, Angry Video Game Nerd. With this lead role, Dastmalchian shines as this likeable presence who is full of charm, effortlessly selling the idea that audiences would repeatedly tune in to watch him have fun with his sidekick, Gus (Rhys Auteri).</p><p><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3pg1wMxfx2-VDrldVqox_w3C4oEBSPyIh8F7zti4rSAExznuo3GI3iRNyVbFbcwez5bBIBT9LSoipBDjpz1Mb7gHIQoUmjE2kxJub7xKUYVpEH8lp-lgtosol0SxTUmkNzLQSOdOMtVk_jxZjF2ekMyit3_vS273jVLiF8oj0JveiMTE3yD0KziMwrV8/s2700/LNWTD%20-%203.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1848" data-original-width="2700" height="219" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3pg1wMxfx2-VDrldVqox_w3C4oEBSPyIh8F7zti4rSAExznuo3GI3iRNyVbFbcwez5bBIBT9LSoipBDjpz1Mb7gHIQoUmjE2kxJub7xKUYVpEH8lp-lgtosol0SxTUmkNzLQSOdOMtVk_jxZjF2ekMyit3_vS273jVLiF8oj0JveiMTE3yD0KziMwrV8/s320/LNWTD%20-%203.jpeg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span id="docs-internal-guid-c9d237aa-7fff-43e8-77d9-787f0231519e"><span face="Calibri, sans-serif" style="font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; vertical-align: baseline; white-space-collapse: preserve;"> Ingrid Torelli, David Dastmalchian, and Laura Gordon in Colin Cairnes and Cameron Cairnes’ LATE NIGHT WITH THE DEVIL. Courtesy of IFC Films and Shudder. An IFC Films and Shudder release. </span></span></td></tr></tbody></table><p><br /></p><p>Perhaps it is due to perceptions from Dastmalchian's other roles, yet an underlying darkness is felt within Jack. He has become a widely known star and wishes to save the show which contributed to that, although the lingering question is what lengths he has taken to achieve that. He is grappling with trauma from his wife's untimely passing, and this leads one to question if reality is not what it seems due to unresolved grief and a fracturing mind.</p><p>Tensions arise from skeptical guest Carmichael (Ian Bluss), a former magician who intends to disprove the supernatural while speaking in a condescending tone. His vocal presence adds to the mood within the studio, with the atmosphere being tremendously conveyed as it builds throughout until the third-act goes wild. As the proceedings grow unsettling while allowing the effects a chance to shine, reality dissolves to leave a horrifying mark on viewers.</p><p>What the directing duo have crafted conjures memories of <i>Ghostwatch</i>, presented as though it is a real TV show aided by the magnificent production design. The only issue is how the illusion is broken by behind-the-scenes occurrences, which leaves one to wonder who is filming these candid conversations. Despite this, <i style="font-weight: bold;">Late Night With The Devil </i>is an excellent chiller that draws viewers in before shattering their senses.</p><p><i>Late Night With The Devil is available in UK Cinemas now</i></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7RhdLicJhyIha1r48WiVeSzOFy5zeZR0hRnaCQHlw6hwlUFEonpdpx2BN5dyEhsYr2WzC2icCZcvYuA8jMhDWQj_LioyAcduOZr95uLQTblyxwhFk5-TDJLkQtsLLqkKW1T4N8-zEniwRMyccIVOx0aEHiEeueShL_Yg0Z87k8vVw2grvzFRzCxB5nfY/s174/4.5stars.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="107" data-original-width="174" height="107" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7RhdLicJhyIha1r48WiVeSzOFy5zeZR0hRnaCQHlw6hwlUFEonpdpx2BN5dyEhsYr2WzC2icCZcvYuA8jMhDWQj_LioyAcduOZr95uLQTblyxwhFk5-TDJLkQtsLLqkKW1T4N8-zEniwRMyccIVOx0aEHiEeueShL_Yg0Z87k8vVw2grvzFRzCxB5nfY/s1600/4.5stars.jpg" width="174" /></a></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-11826424154448396372024-03-22T17:25:00.000+00:002024-03-22T17:29:20.754+00:00Immaculate (2024)<p>After working together on the one-season Netflix series <i>Everything Sucks!</i> and Prime Video erotic-thriller <i>The Voyeurs</i>, Immaculate sees the reunion of director Michael Mohan and producer/star Sydney Sweeney for a project that is being released into cinemas. Arriving at a remote Italian convent, the devout Sister Cecilia (Sweeney) intends to fulfil a new role tending to dying nuns. As the virginal sister discovers that she is pregnant, it becomes clear that dark secrets are being kept at this gorgeous countryside location.</p><p>My review of <i>Immaculate </i>is now available to read at <a href="https://www.nerdly.co.uk/2024/03/22/immaculate-review/">Nerdly</a>.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCGx7uNj83urdvS68vfGUQB9agu8pCARLMG-denBAgoQXD4IAwp38RbrHR6KfFyIlEutic_FvnpXbIhGPfunDbt9ogEpdxgzBekTF9-jspYF_MFZHboTk4yAMAubzs4MEHNBBa9SpfHJSLdgvEzOunujV20qCvbZw-SA7dRJmI2h_B2X2v4nMHT87PIFA/s830/immaculate-art.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="830" data-original-width="560" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCGx7uNj83urdvS68vfGUQB9agu8pCARLMG-denBAgoQXD4IAwp38RbrHR6KfFyIlEutic_FvnpXbIhGPfunDbt9ogEpdxgzBekTF9-jspYF_MFZHboTk4yAMAubzs4MEHNBBa9SpfHJSLdgvEzOunujV20qCvbZw-SA7dRJmI2h_B2X2v4nMHT87PIFA/s320/immaculate-art.jpg" width="216" /></a></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-5162195158193378882024-03-22T15:30:00.009+00:002024-03-22T16:20:29.129+00:00White Blood (2024)<p>Making his feature debut, writer/director Richard Williams opens White Blood with nostalgia-tinged scenes of a loving couple in the style of grainy video recordings. It captures the idea of wanting to hold onto past memories, yet this is a momentary comfort as real-life pains intrude when Betty (Arielle Cartwright) receives a terminal cancer diagnosis.</p><p>My review of <i>White Blood </i>is now available to read at <a href="https://www.nerdly.co.uk/2024/03/22/white-blood-vod-review/">Nerdly</a>.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMGGKGeh43yQEpwAsK9f1dlVRYYOvb2GctwBrAysVFX-sb8eklJf6brbsBKneXOKaYP3XJ67WYotGIMVqqkYRBtxqdGYvQfGc9LC9Xb3OsyRsV-0UjHi5l23dr_RaKqnch6KoBahw-YxjRKeKrr50RV5BdtbKUkZqzcchF4zmcPuObCXlQD4hn8Yiq-_I/s784/white-blood-poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="784" data-original-width="560" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMGGKGeh43yQEpwAsK9f1dlVRYYOvb2GctwBrAysVFX-sb8eklJf6brbsBKneXOKaYP3XJ67WYotGIMVqqkYRBtxqdGYvQfGc9LC9Xb3OsyRsV-0UjHi5l23dr_RaKqnch6KoBahw-YxjRKeKrr50RV5BdtbKUkZqzcchF4zmcPuObCXlQD4hn8Yiq-_I/s320/white-blood-poster.jpg" width="229" /></a></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-74698063153055083832024-03-20T16:04:00.009+00:002024-03-20T16:06:57.421+00:00Doctor Jekyll (2024)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNilimuFuJV2wQAucQkuaH3GjOBupWrPDAgX19ptxseL9hI2XNt9z-mER4Nut-IMGKnt3rw1j8C7UJRxh2TFCbFPvO2piG0DlLMnENC5S9S9nr2JAeZd1WCTJK7bL4CD0EszhRykVW79oqrOyPfRiNkYkN2YRz_WNR943DF3bMrS7NGbL7L4mHrDt7wbs/s3000/pro-cd1HTHSI.jpeg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="2000" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNilimuFuJV2wQAucQkuaH3GjOBupWrPDAgX19ptxseL9hI2XNt9z-mER4Nut-IMGKnt3rw1j8C7UJRxh2TFCbFPvO2piG0DlLMnENC5S9S9nr2JAeZd1WCTJK7bL4CD0EszhRykVW79oqrOyPfRiNkYkN2YRz_WNR943DF3bMrS7NGbL7L4mHrDt7wbs/w133-h200/pro-cd1HTHSI.jpeg" width="133" /></a></div><b><u>Director:</u></b> Joe Stephenson<p></p><p><b><u>Running Time:</u></b> 89 Minutes</p><p><b><u>Certification:</u></b> 15</p><p><b><u>Starring:</u></b> Eddie Izzard, Scott Chambers, Lindsay Duncan, Robyn Cara, Jonathan Hyde, Morgan Watkins, Simon Callow</p><p><br /></p><p>There was a point in the 2010's where, with releases such as <i>Let Me In</i>, <i>The Woman In Black</i>, and <i>The Lodge</i>, it looked like Hammer were back. The studio has since resurfaced after a quiet period with a new work that brings back classic elements, such as an isolated mansion, a mysterious locked room, and a mad doctor. For this modern reimagining of Robert Louis Stevenson's 1886 novella <i>The Strange Case of Dr Jekyll and Mr Hyde</i>, director Joe Stephenson crafts a story centered around an ex-convict grasping onto his second chance at life.</p><p>After being released from prison, Rob (Scott Chambers) is intent on finding a job so that he can turn his life around and finally see his daughter that was born during his sentence. As luck would have it, he is hired as a carer for reclusive doctor Nina Jekyll (Eddie Izzard), although he does not realize the devious plans set in motion for him by Nina's alter-ego, Rachel Hyde.</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWq21-yPOs9seRS_zpfpUZSyKyzaE8kl2iIxf4Hh_KVMayOxUs9F6hmNJlwEKKitTvvBxS_pmdLe8yLX2iwPZLqhuhcO5-3ByNBlSQ2t_alPgO7kDkX2ssK0lf5P7jyNi4cMqeNgNFRFi4uf3Rer7J0mhW92FekNZyweXJ9sNNuKFt3_Y3c2MOBMkGdW0/s3527/pro-gCvO533Y.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2351" data-original-width="3527" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWq21-yPOs9seRS_zpfpUZSyKyzaE8kl2iIxf4Hh_KVMayOxUs9F6hmNJlwEKKitTvvBxS_pmdLe8yLX2iwPZLqhuhcO5-3ByNBlSQ2t_alPgO7kDkX2ssK0lf5P7jyNi4cMqeNgNFRFi4uf3Rer7J0mhW92FekNZyweXJ9sNNuKFt3_Y3c2MOBMkGdW0/s320/pro-gCvO533Y.jpeg" width="320" /></a></div><p><br /></p><p>Key to the film are the tremendous performances that each bring alive their roles in captivating ways. Chambers puts an endearing performance into Rob, the happy-go-lucky chap who just wishes to do a good job and rise above his troubled past. Issues arise when he crosses paths with his ex, who begs Rob to help pull one last job to satisfy her drug addiction. It is all part of the small-town location where nothing stays secret for long, and past relationships mean little in regards to present troubles.</p><p>In the titular role, Izzard brings alive the doctor with such magnetism to ensure viewers are captivated by her performance. She captures the playful side of this recluse who is fascinated by Crunchy Nut Cornflakes, while also treating life like a chessboard as she intends to stay two steps ahead of her competition. It is all part of this interesting take on well-trodden ground, as Stephenson and screenwriter Dan Kelly-Mulhern bring a fresh take onto a source material that has been adapted numerous times. While it may feel familiar in places and offer few surprises, the playfulness and beating gothic heart ensures that <i style="font-weight: bold;">Doctor Jekyll </i>is a terrific addition to Hammer's back-catalogue. Let us hope that this is a sign the studio are back with a blood-soaked vengeance.</p><p><i>Doctor Jekyll is available on Digital Download now</i></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSQG3HtDyiRK1IlFL4IT8gDW4CggWlPVtm-EAyw-cQnJUE0HHS4hZ6tkT9NsWFZGaef9ew7n4h2hd0bvki2HSb3DLZE1VH84VqMY-5dQHVZUOQyp3JgPChx61pYLOi9sWfms3gm3yi4XOJ4j6OJz-tblCs4-_uivp1bk1IyHaOo8aMpe4eaWs_8GdKxH4/s174/3.5stars.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="107" data-original-width="174" height="107" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSQG3HtDyiRK1IlFL4IT8gDW4CggWlPVtm-EAyw-cQnJUE0HHS4hZ6tkT9NsWFZGaef9ew7n4h2hd0bvki2HSb3DLZE1VH84VqMY-5dQHVZUOQyp3JgPChx61pYLOi9sWfms3gm3yi4XOJ4j6OJz-tblCs4-_uivp1bk1IyHaOo8aMpe4eaWs_8GdKxH4/s1600/3.5stars.jpg" width="174" /></a></div><p></p>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-56494611335077428552024-03-18T16:30:00.005+00:002024-03-18T16:33:37.946+00:00Frightfest: All You Need Is Death (2024)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3RR54ptytNtm6e5DDI1L6VYeaeDWhGhI1WC4RQJQeUrzgqhjTV5e6qR0qGXNr9cm8XB7MZojQEMAZRjtXha2gqM36x0M_pecBYPUkPVffbdVvDuTpuS5-ImPNuW1Einyj9ZsRMvwXT8AX02p3XwTB7wDULe3fXez604Z84vYa3Utbs2m4ANCst3nnRCc/s593/AllYouNeedIsDeath-Teaserposter-2.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="593" data-original-width="400" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3RR54ptytNtm6e5DDI1L6VYeaeDWhGhI1WC4RQJQeUrzgqhjTV5e6qR0qGXNr9cm8XB7MZojQEMAZRjtXha2gqM36x0M_pecBYPUkPVffbdVvDuTpuS5-ImPNuW1Einyj9ZsRMvwXT8AX02p3XwTB7wDULe3fXez604Z84vYa3Utbs2m4ANCst3nnRCc/w135-h200/AllYouNeedIsDeath-Teaserposter-2.jpg" width="135" /></a></div><b><u>Director:</u></b> Paul Duane<p></p><p><b><u>Running Time:</u></b> 97 Minutes</p><p><b><u>Starring:</u></b> Simone Collins, Charlie Maher, Catherine Siggins, Nigel O'Neill, Olwen Fouéré, Barry McKiernan, David McDermott</p><p><br /></p><p>For his latest feature, writer/director Paul Duane opens his cautionary tale in a pub where Anna (Simone Collins) records a man who is singing. The situation grows heated when Aleks (Charlie Maher) rudely intervenes, taking the recording equipment before exiting the pub. It turns out that this was a ploy between Anna and Aleks, who are music archivists that are in a relationship. Their time is spent recording rare folk songs, performed by rural Irish singers, in order to sell them to collectors.</p><p>Their desire to become successful in this field leads the pair to Agnes (Catherine Siggins), a music professor who can help them find the singer of an ancient song. Forming an uneasy alliance, the trio locate the singer, Rita Concannon (Olwen Fouéré), who warns that the taboo ballad is not for public consumption. That does not stop a hidden recording capturing the song, resulting in a dark truth being unlocked which alters the trio's isolated lives.</p><p>While the couple see a potential career unfolding from uniquely supplying rare folk songs, Agnes points out that they may not know what direction will best benefit their future. The desire to invest in the future leads the group down a dangerous path, where grisly glimpses of past events and a creeping atmosphere surrounds the mystery. While Duane offers an interesting set-up for this tale, the slow-burn nature can test viewers' patience as the narrative feels stuck amidst teases of what is actually happening.</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEJUpzrfvn6HJLY1PGRCS3NqMnl2dVuz6n7hVPa5AnGEjUiCN4y_ZW-Vo8NQ291buChzrt6c5HyHLC7mSM9AO7YhRCzf3k9UcT-9Aj5PfnzGwyL2p4IkJqKTAhs3ohElyLhdFJj5MRqqy2DWlKy0p8MljG0mIai23stogDsobWiL0w24aboDxOpnSZDLA/s600/AllYouNeedIsDeath-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEJUpzrfvn6HJLY1PGRCS3NqMnl2dVuz6n7hVPa5AnGEjUiCN4y_ZW-Vo8NQ291buChzrt6c5HyHLC7mSM9AO7YhRCzf3k9UcT-9Aj5PfnzGwyL2p4IkJqKTAhs3ohElyLhdFJj5MRqqy2DWlKy0p8MljG0mIai23stogDsobWiL0w24aboDxOpnSZDLA/s320/AllYouNeedIsDeath-1.jpg" width="320" /></a></div><p><br /></p><p>Considering how integral the music is to this tale, Ian Lynch exceptionally brings alive the intense song at the heart of this story. It is a hypnotizing work that claws its way further into the souls of people the more they listen to it, and the impact is effectively captured by the performers. Despite being sung in a language that they do not recognize, Anna is fearful over what she heard while Aleks is drawn to it regardless of how it affects him.</p><p>While the song is nameless, Rita believes that an appropriate title would be "Love is a knife with a blade for a handle." That title is reflected in the film, as it depicts relationships with a double-edged nature that are as likely to hurt and also heal. Amidst this all-consuming depiction of love, <i style="font-weight: bold;">All You Need Is Death </i>is a cautionary folk horror tale whose more effective moments will linger in the memory.</p><p><i>All You Need Is Death made its UK Premiere at Frightfest Glasgow</i></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgolYRfpFFw5b2tnHwggg3IADht0p-v_mvmqV47OTV5-sBV8DoDDeQdwtNX0upBatlW0cbrD9kaX31NV_cSyGOVLgG5WGOlpd772lXMw-RAq_grWBUkfViWmx5zRHX2WOAqE4aV2327uZ9mhmZ8MK3PkeAzIfTJAb5l12lE0aH-8KWdpO28aZekLjzud0w/s174/3stars.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="107" data-original-width="174" height="107" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgolYRfpFFw5b2tnHwggg3IADht0p-v_mvmqV47OTV5-sBV8DoDDeQdwtNX0upBatlW0cbrD9kaX31NV_cSyGOVLgG5WGOlpd772lXMw-RAq_grWBUkfViWmx5zRHX2WOAqE4aV2327uZ9mhmZ8MK3PkeAzIfTJAb5l12lE0aH-8KWdpO28aZekLjzud0w/s1600/3stars.jpg" width="174" /></a></div><p></p>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-84037540432582147062024-03-15T16:45:00.037+00:002024-03-15T16:56:21.995+00:00Frightfest Glasgow: Kill Your Lover (2024)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXF99tBm4cCnqMZhPTZxenZkJ3RZaAVLn3UVryPiv-vTeKHInAXHMVTZX-AoOj0PMRZ-13e07JyNh08nSGrLCK8GEa1UxIg6C_wIeC-HrNp6s3HAmBAqJ1V-W96t5PJF0V1VRx1lvI0JZwA8NeQ1n2ifeJ62LH5GN46tYd3En_TvrmR97ahSEzcNCngWg/s600/KillYourlover-posterart.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="400" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXF99tBm4cCnqMZhPTZxenZkJ3RZaAVLn3UVryPiv-vTeKHInAXHMVTZX-AoOj0PMRZ-13e07JyNh08nSGrLCK8GEa1UxIg6C_wIeC-HrNp6s3HAmBAqJ1V-W96t5PJF0V1VRx1lvI0JZwA8NeQ1n2ifeJ62LH5GN46tYd3En_TvrmR97ahSEzcNCngWg/w133-h200/KillYourlover-posterart.jpg" width="133" /></a></div><b><u>Director:</u></b> Keir Siewert, Alix Austin<p></p><p><b><u>Running Time:</u></b> 77 Minutes</p><p><b><u>Starring:</u></b> Paige Gilmour, Shane Quigley Murphy, May Kelly, Chloe Wigmore, Joshua Whincup</p><p><br /></p><p>After a directorial career involving short films, anthology segments, and television shows, filmmaking duo Keir Siewert and Alix Austin make their feature-length debut with <i style="font-weight: bold;">Kill Your Lover</i>. The feature opens on a framed photo which depicts a seemingly happy moment between a couple, before an unseen person smashes it and then picks up a shard of glass from the shattered remains. As rock music plays over this opening sequence, viewers are left energized for what is about to unfold.</p><p>The film then cuts to Dakota (Paige Gilmour) staring straight into the camera, rehearsing a speech about how she wants to end her relationship with Axel (Shane Quigley Murphy). Her hope is to end things before their miserable relationship turns toxic, however the feeling is not mutual. Axel does not want to let go of the relationship, and finds himself transforming into something monstrous while succumbing to the poison of a decaying relationship.</p><p>By combining a breakup film with a slice of body horror, Austin and Siewert have crafted a unique genre take on relatable material. As the dour-looking present day mirrors this couple making each other miserable, it is tremendously contrasted with the vibrant looking flashbacks that shows the blossoming romance in all its colourful glory. The difference is further highlighted as similar scenes occur in both time-periods, playing out with a notably different mood. This is an example of the duo's interesting directorial choices, giving this feature an eye-catching personality on top of the compelling tale.</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDpr09a1HgkgTSb-_IAdONydFXZ1GX91RtiiWHwYK7pT3MGLK9_qZbR8GXtOPWwT9aAXf2HbAv_bZGwkLk5pzVOPqk2PVm8JJj1t8shRYW7VZgGnOtUpZqQjKRMoUoWJ-9DXwUfupVYiCBvjGQaV7qBM9nugh_1Px8BJAbSlVjr8oomkDLN-KW6gQKUxg/s600/KillYourLover-4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="600" height="160" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDpr09a1HgkgTSb-_IAdONydFXZ1GX91RtiiWHwYK7pT3MGLK9_qZbR8GXtOPWwT9aAXf2HbAv_bZGwkLk5pzVOPqk2PVm8JJj1t8shRYW7VZgGnOtUpZqQjKRMoUoWJ-9DXwUfupVYiCBvjGQaV7qBM9nugh_1Px8BJAbSlVjr8oomkDLN-KW6gQKUxg/s320/KillYourLover-4.jpg" width="320" /></a></div><p><br /></p><p>Dakota is previously shown as more free-spirited, with the rocker having a wall covered in photographs of her lovers, and a tattoo of her personal mantra that reads "everything is replaceable." This is a vast change from her more reserved self in the present, compromising to appease Axel to the point that her tattoo has been altered. Gilmour sells the change effectively, capturing somebody who has compromised her true self so much that she feels it is not considered good enough.</p><p>As the more controlling half of the relationship, Murphy effectively brings Axel alive without fear of him becoming a caricature, instead resembling an everyday toxicity which could cross our paths any day. He manipulates things to go his way, preventing the couple from having honest conversations as he guilt-trips Dakota into apologizing firstly, regardless of whether she deserves any blame. The metamorphosis just worsens Axel's toxic qualities, stubbornly refusing to accept reality if it does not go his way. An effective scene sees the character's rising anger come pouring out, leading him to strike in horrific ways.</p><p>The situation leaves Dakota worn down and fed up, resulting in the pair hurting each other through a mutual toxicity. While it is inevitable that the story would go this route, it does feel tragic as the flashbacks show a relationship once full of love. Moments like the consensual restraints, or the affectionate nicknames of "lover", feels believably personal to this once strong romance. What remains once that love fades are the performative smiles and seemingly perfect guises, with the film taking a look behind them to show that all is not as loving as it seems. As a much-needed openness and honesty brings the story to a resolution, <i style="font-weight: bold;">Kill Your Lover </i>cements itself as a triumphant example of what this filmmaking duo can do.</p><p><i>Kill Your Lover made its UK Premiere at Frightfest Glasgow 2024</i></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii37j72R7B_RUSMvtV0GFYpop3zGVSSGMmlen5RXubkp8bvXt_f_PsGfgkcK7QiUsgfw75slF0hh6TPB5GxwBa84T2iUjlmYO-edYj6tN2Y4jfmcNuVED-SyeyUbjAld6V7vVkOwQsojWHP4YReOUKejyT_LGz-Zbn8hgqIV9291engB4ctkTt6jvwLbI/s174/4stars.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="107" data-original-width="174" height="107" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii37j72R7B_RUSMvtV0GFYpop3zGVSSGMmlen5RXubkp8bvXt_f_PsGfgkcK7QiUsgfw75slF0hh6TPB5GxwBa84T2iUjlmYO-edYj6tN2Y4jfmcNuVED-SyeyUbjAld6V7vVkOwQsojWHP4YReOUKejyT_LGz-Zbn8hgqIV9291engB4ctkTt6jvwLbI/s1600/4stars.jpg" width="174" /></a></div><p></p>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-56972248629242028482024-03-15T14:00:00.012+00:002024-03-17T13:37:50.571+00:00Dune: Part Two (2024)<p>With 2021’s Dune, co-writers Eric Roth, Jon Spaihts, and director Denis Villeneuve phenomenally brought to screen the vibrant world that Frank Herbert crafted in his 1965 novel. Dune: Part Two adapts the remainder of the iconic novel, taking place a few hours after the previous film’s climactic knife-fight.</p><p>My review of <i>Dune: Part Two </i>is available to read at <a href="https://www.nerdly.co.uk/2024/03/15/dune-part-two-review/">Nerdly</a>.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyIZ2FhCmMIcURsKkNv_5L3RxSIchz10NJ2Zmm4sGEarPJ0Fa3CwnyaBTpdZDzdBd5ARM8dVTMmDI6u40Wg14tUtA3hq7XwVv6Z8V9CvuczG7VuUxpmzayEceD5bm9MmCuGTELPwXyqG2K13Ym76LDLlSWmfxtUejWazSSsSfrifr9uBgaFBTkgy30C6I/s830/dune-2-poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="830" data-original-width="560" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyIZ2FhCmMIcURsKkNv_5L3RxSIchz10NJ2Zmm4sGEarPJ0Fa3CwnyaBTpdZDzdBd5ARM8dVTMmDI6u40Wg14tUtA3hq7XwVv6Z8V9CvuczG7VuUxpmzayEceD5bm9MmCuGTELPwXyqG2K13Ym76LDLlSWmfxtUejWazSSsSfrifr9uBgaFBTkgy30C6I/s320/dune-2-poster.jpg" width="216" /></a></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-55289592111595511562024-03-15T11:00:00.008+00:002024-03-15T16:59:21.349+00:00Frightfest Glasgow: The Invisible Raptor (2024)<p></p><p style="clear: both; text-align: left;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeYCJPG18sC8L_HQBDwkLL4cEFySPFykd7601yIjz75HbflcJ4ljAobbrCw1Ur2LTBEoSsVoi6cLE70_HOni2mDgd7UoCc42QAJoxSxJ4fneAFgYXCsXpBjYQdT39RdUq1VkJsspY3jJ13bpkZNs3DX2vNS8IHuQbVkr5nd7MwiMCOoqhrlZVmgdJYFXw/s750/tir.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="750" data-original-width="500" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeYCJPG18sC8L_HQBDwkLL4cEFySPFykd7601yIjz75HbflcJ4ljAobbrCw1Ur2LTBEoSsVoi6cLE70_HOni2mDgd7UoCc42QAJoxSxJ4fneAFgYXCsXpBjYQdT39RdUq1VkJsspY3jJ13bpkZNs3DX2vNS8IHuQbVkr5nd7MwiMCOoqhrlZVmgdJYFXw/w133-h200/tir.jpg" width="133" /></a></div><b><u>Director:</u></b> Mike Hermosa<p></p><p></p><p><b><u>Running Time:</u></b> 114 Minutes</p><p><b><u>Starring:</u></b> Mike Capes, David Shackelford, Caitlin McHugh, Sean Astin, Sandy Martin, Bobby Gilchrist, Richard Riehle, Dave Theune, Larry Hankin</p><p><br /></p><p>As the opening shows eggs cracking open, director Mike Hermosa makes his reference point known as the credits are stylized to resemble those of 1993's <i>Jurassic Park</i>. Where <i style="font-weight: bold;">The Invisible Raptor </i>diverges is clear, as The Tyler Corporation have figured out how to genetically engineer a prehistoric raptor which they also made invisible. As scientists perform tests, they soon discover how smart the raptor is when it breaks out of the enclosure.</p><p>Meanwhile, paleontologist Dr. Grant Walker (Mike Capes) is fed up with believing he is wasting his PhD working at the DinoWorld amusement park. When he discovers the threat that the unseen raptor poses to his small town, Grant teams up with DinoWorld security guard Denny (David Shackelford) and ex-girlfriend Amber (Caitlin McHugh) to stop the apex predator.</p><p>Working off a script from co-writer Johnny Wickham and star Mike Capes, Hermosa crafts a very silly take on a familiar idea. This is seen in the characters, from Grant feeling degraded after being burned on a past discovery, to Denny believing his life was ruined courtesy of an embarrassing childhood incident. The touchpoints may sound serious, yet they are filled out with humorous ideas that are crass, childish, and delivered with great comedic timing. If you wanted a dinosaur film to have many mentions of buttholes, then this is the film for you. </p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpVDAECUcK94p9yQA4kkC11sTSWGpC3zOwWT7ahozWSROH4-J3xL84wgflG6oHxgFrG7EbKtdBE0QYR2SAUvHnebRMIyRRXsfHIeCz-0jMkh49YAU1xJrIvhn2I8M21_8owCQX9y4ynrNyTQS4qu30WZezBr-w8HpXFPsq7K51YOziFXcOAA-67BQ6QFs/s2193/Screen%20Shot%202023-05-11%20at%207.11.51%20PM.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1220" data-original-width="2193" height="178" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpVDAECUcK94p9yQA4kkC11sTSWGpC3zOwWT7ahozWSROH4-J3xL84wgflG6oHxgFrG7EbKtdBE0QYR2SAUvHnebRMIyRRXsfHIeCz-0jMkh49YAU1xJrIvhn2I8M21_8owCQX9y4ynrNyTQS4qu30WZezBr-w8HpXFPsq7K51YOziFXcOAA-67BQ6QFs/s320/Screen%20Shot%202023-05-11%20at%207.11.51%20PM.png" width="320" /></a></div><p><br /></p><p>The humorous tone does not mean that the film forgets the danger such a premise brings, with effective moments utilizing a well-placed bedsheet, or depicting a vicious rampage. While some instances focus on the grisly aftermath of the raptor's destructive streak, there are also moments where the gore is effectively utilized in brutal on-screen killings. It is a fun twist which adds to the films identity, along with the numerous Spielberg references, and the fun uses of invisibility.</p><p>Despite the entertainment delivered throughout, not all of the elements work well. Some ideas admittedly feel tenuously connected, leaving the feature to resemble an assembly of hit-and-miss sketch ideas. Considering how the running time feels longer than necessary, one wishes a stronger edit would have helped weed out the less effective gags. When it works, <i style="font-weight: bold;">The Invisible Raptor </i>is an entertaining time which embraces the silliness within its premise to a fun degree.</p><p><i>The Invisible Raptor made its UK Premiere at Frightfest Glasgow 2024</i></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5GfagxGYZggnNA2ucC-eN82yDsvzepsdLi3XicoQQlmQ9pY8fqdpfDmlkbKTMa_51TXSSKfmZaor7wkj035pFcnPhFTnl1RjHdM6krO0gpnsajYBh8ZFqRUetjGqJnKLRJ8PUXPwY8rTM4cBL4vDqFg4yh3xwumhQWPZCnCgv4j25HS-GimX-KJM50kc/s174/3.5stars.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="107" data-original-width="174" height="107" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5GfagxGYZggnNA2ucC-eN82yDsvzepsdLi3XicoQQlmQ9pY8fqdpfDmlkbKTMa_51TXSSKfmZaor7wkj035pFcnPhFTnl1RjHdM6krO0gpnsajYBh8ZFqRUetjGqJnKLRJ8PUXPwY8rTM4cBL4vDqFg4yh3xwumhQWPZCnCgv4j25HS-GimX-KJM50kc/s1600/3.5stars.jpg" width="174" /></a></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-9699069389830371182024-03-14T22:15:00.027+00:002024-03-14T22:29:47.870+00:00Frightfest Glasgow: Last Straw (2024)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzKXrUhiDt_xhApOOlEy0APwbu9LHWgc7ZEQAZMMM8UuLQs2fD_BCLG6zpgxkJp2819sEueqsbTMkSjO7pr3Zgzia0fpoEaILnglBp94KKs1qltf3IHVvK68HKwQQZ1iA6ZWQRSos9R3E2M5XVed91y67ANnhKQzSzsfrgC-MX9mQVFzNkWe0U4JqcGyw/s600/LastStraw-1.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="316" data-original-width="600" height="106" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzKXrUhiDt_xhApOOlEy0APwbu9LHWgc7ZEQAZMMM8UuLQs2fD_BCLG6zpgxkJp2819sEueqsbTMkSjO7pr3Zgzia0fpoEaILnglBp94KKs1qltf3IHVvK68HKwQQZ1iA6ZWQRSos9R3E2M5XVed91y67ANnhKQzSzsfrgC-MX9mQVFzNkWe0U4JqcGyw/w200-h106/LastStraw-1.jpg" width="200" /></a></div><b><u>Director:</u></b> Alan Scott Neal<p></p><p><b><u>Running Time:</u></b> 82 Minutes</p><p><b><u>Starring:</u></b> Jessica Belkin, Jeremy Sisto, Taylor Kowalski, Tara Raani, Joji Otani-Hansen</p><p><br /></p><p>For his feature debut, director Alan Scott Neal opens <i style="font-weight: bold;">Last Straw </i>on quite the startling image within a diner. As bodies lay on the floor while blood is seen all around, this horrific aftermath hints at a nightmarish event which unfolded beforehand. The scene then cuts to twenty-four-hours earlier, as young waitress Nancy (Jessica Belkin) discovers that she is pregnant. While discussing the situation with her best-friend, uncertainty lurks in Nancy's voice as she denies knowing the father's identity while being unsure of her next steps.</p><p>Her day worsens due to her car breaking down, which results in Nancy arriving late to work. She then receives unwelcome news that she has to cover the late shift with Jake (Taylor Kowalski), a coworker who makes her feel uncomfortable. While she may be a manager at the diner, other employees question whether she received the role due to their boss being Nancy's dad (Jeremy Sisto). As pressure mounts across the shift, including the arrival of an abusive group who threaten to return, Nancy ends up firing Jake. This leaves her working the late shift alone, although the nightmare is just beginning when masked figures on mopeds begin tormenting her, resulting in a fight for survival.</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2YbsPTUL5lIAQ43yq0rzdq9-M_11JzsyBxVS0_T68DprtaguOSdt846a2T_9C-bfMjemMY2BqnZX-_YR3WnV_Pt95mvhIRNebP7EZt-dtB3gyJlPj7mKmSywS6f9hR10sXCFvy0Gn5uVhAZTrl01a_6C_-k8M9gqbdX1OcXOgACCsEVde3wjPa0iKk7k/s600/LastStraw-2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="312" data-original-width="600" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2YbsPTUL5lIAQ43yq0rzdq9-M_11JzsyBxVS0_T68DprtaguOSdt846a2T_9C-bfMjemMY2BqnZX-_YR3WnV_Pt95mvhIRNebP7EZt-dtB3gyJlPj7mKmSywS6f9hR10sXCFvy0Gn5uVhAZTrl01a_6C_-k8M9gqbdX1OcXOgACCsEVde3wjPa0iKk7k/s320/LastStraw-2.jpg" width="320" /></a></div><p><br /></p><p>Where Taylor Sardoni's screenplay works best is when it offers a chance to know the people within this horrific scenario. Nancy is introduced as a partygoer who wishes to visit graduation parties despite finishing school a year prior, although it becomes clear that she feels lost and unfulfilled with life. Things have not turned out how she thought they would, and Belkin effectively conveys the character's bubbling rage at feeling stuck while everyone else is moving on. While she may unsure about what path she should take, her dad has faith that she can handle whatever issues come her way, and that becomes a sentiment that Nancy eventually shares.</p><p>When it comes to the aggressors, an interesting turn arrives which takes the unfolding story in a curious direction. A light is cast upon the figures while highlighting how dangerous the ringleader is, particularly during a moment when the anger is let out, although the inclusion of a tragic backstory feels clumsily handled. As an invasion tale unfolds within the confined diner location, thrilling moments are on show, yet the tension feels sadly out of reach. Part of the reason is due to the opening unnecessarily giving out-of-context spoilers in an attempt to hook viewers' attention, while some sequences sadly feel unremarkable. <i style="font-weight: bold;">Last Straw </i>is an invasion flick which offers a promising start to filmmaking careers.</p><p><i>Last Straw made its UK Premiere at Frightfest Glasgow 2024</i></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9BTuNC6eaNS21K9S78oQ5LbGv5-kzSwQZeXb2g5AjG4eYkRHHbSK4jOIqKOTPkV6Rorezw1yiIVruZfMD_o_ngh_SN-_Uu_I6YnTYsMA2pPcZNCc42wt8aV1FW-RM2adtR5i4aMeq_UOaExAa0IDeQetPAeYPEXqh8sMtBjEB6E50bGAiUJzUUOb-gaE/s176/2.5stars.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="107" data-original-width="176" height="107" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9BTuNC6eaNS21K9S78oQ5LbGv5-kzSwQZeXb2g5AjG4eYkRHHbSK4jOIqKOTPkV6Rorezw1yiIVruZfMD_o_ngh_SN-_Uu_I6YnTYsMA2pPcZNCc42wt8aV1FW-RM2adtR5i4aMeq_UOaExAa0IDeQetPAeYPEXqh8sMtBjEB6E50bGAiUJzUUOb-gaE/s1600/2.5stars.jpg" width="176" /></a></div><p></p>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-65780201818868717052024-03-09T12:00:00.213+00:002024-03-09T12:00:00.267+00:00Frightfest Glasgow: Mom (2024)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuLMD7p8oQPijIgW2HFDYsvSddkKkeSvtYk1e-iryhbEyUCNu04npOI_ph0X0Qms4MUODfYtvlXlwNqp4IfqLoaJXVVxnVaWd6QfyFaHHPR-K04ZXzU0Uvz5XNV4GVlGRzi19MoAKw2QCQTlPvkd-NWIFExTmbBs8WgVVTaK0mfvV4AqKtWo5o5QkO7Dg/s600/Mom-2.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="252" data-original-width="600" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuLMD7p8oQPijIgW2HFDYsvSddkKkeSvtYk1e-iryhbEyUCNu04npOI_ph0X0Qms4MUODfYtvlXlwNqp4IfqLoaJXVVxnVaWd6QfyFaHHPR-K04ZXzU0Uvz5XNV4GVlGRzi19MoAKw2QCQTlPvkd-NWIFExTmbBs8WgVVTaK0mfvV4AqKtWo5o5QkO7Dg/w320-h134/Mom-2.jpg" width="320" /></a></div><b><u>Director:</u></b> Adam O'Brien<p></p><p><b><u>Running Time:</u></b> 95 Minutes</p><p><b><u>Starring:</u></b> Emily Hampshire, François Arnaud, Christian Convery, Erika Rosenbaum, Tristan D. Lalla, Mariah Inger, Cat Lemieux</p><p><br /></p><p>With a career directing short-films and anthology segments, Adam O'Brien makes his feature-length debut with this tale of unimaginable grief and struggles under pressure. <i style="font-weight: bold;">Mom</i> opens in unsettling fashion, cutting through glimpses of a house in disarray to show a home that has rotted away from the inside. As the moody scenes repeatedly arrive, the score builds effectively towards a moment which leaves quite the impression.</p><p>What led to such horrific sights within that house? That question lingers as the story flashes back to happier times, with new parents Meredith (Emily Hampshire) and Jared (François Arnaud) returning home with their newborn baby, Alex. As Jared returns to work, Meredith is left feeling on her own while constantly looking after the house and feeling sleep-deprived. As she struggles with daily life, an unimaginable tragedy soon occurs.</p><p>Adapting a script written by Philip Kalin-Hajdu, O'Brien crafts a saddening story of a newborn mother who feels abandoned. From her husband's lacking help, to her sister rarely coming around, the isolation is felt in Meredith as she struggles to hold it all together. Key to it all is an incredible lead performance, with Hampshire capturing the mounting worries and struggles. It becomes clear that this cannot go on forever, and when something eventually snaps, it will be a life-changing circumstance.</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiS_XBG1VAmL7HdZLLRnNAoM6h9mGKO_PB1LZRyO0gGPactu0QMVvQy7C9XaeJHwaaPj0JIIiHsewcBf5TLKjyLOtRzClkTu8o-VTbNJarKUIS3LrmNwY_EU8jACmEfxxUEfIKDx5mxmc9pVY321SE1u95f_9GO8-yc5UzP6UOM-_P-hI082gkv43Lv8U/s600/Mom-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="252" data-original-width="600" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiS_XBG1VAmL7HdZLLRnNAoM6h9mGKO_PB1LZRyO0gGPactu0QMVvQy7C9XaeJHwaaPj0JIIiHsewcBf5TLKjyLOtRzClkTu8o-VTbNJarKUIS3LrmNwY_EU8jACmEfxxUEfIKDx5mxmc9pVY321SE1u95f_9GO8-yc5UzP6UOM-_P-hI082gkv43Lv8U/s320/Mom-1.jpg" width="320" /></a></div><p><br /></p><p>Early on, Jared shares that he has been reading up on parenting because he wants to be a good parent. Actions speak louder than words, as he repeatedly shirks household responsibilities while also complaining about the house not being tidy. He is a familiar type of antagonist that is recognizable in everyday life, the type of person who offers little help and then complains about his partner not keeping things together. He is somebody who ignores the struggles of his partner until it is too late, and still takes no responsibility in the aftermath.</p><p>As matters grow tense and combative between the couple, it becomes clear that Meredith is losing her grip on reality. This is captured effectively with building tension and creepy imagery, although it can feel disappointing as the story returns to loud noises and lacking jump scares a bit too often. As the horror elements feel secondary, the tale instead resembles a grief drama with some genre elements sprinkled on-top, and unfortunately feels uneven as a result. Where <i style="font-weight: bold;">Mom </i>works best is as a cyclical tale about the misery newborn parents face with little reprieve.</p><p><i>Mom made its World Premiere at Frightfest Glasgow 2024</i></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjEMTfakM6uiyvjMtsczYpCwSF4Md4_cqr5MMT7-OvIk9CBkPtyTYGulI9plXF2D8t12xmrnMiqHfZl5TfRf_4gGLLFBmnRHYWscwJHVsMlzpynexJ26Lwam1RSKDdkJ9nKV57gD3z7S4cxnG3HQjQ479igg5Rxgng6lhVBJB2hSq6p8Cfz99Qp-CRcAY/s174/3stars.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="107" data-original-width="174" height="107" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjEMTfakM6uiyvjMtsczYpCwSF4Md4_cqr5MMT7-OvIk9CBkPtyTYGulI9plXF2D8t12xmrnMiqHfZl5TfRf_4gGLLFBmnRHYWscwJHVsMlzpynexJ26Lwam1RSKDdkJ9nKV57gD3z7S4cxnG3HQjQ479igg5Rxgng6lhVBJB2hSq6p8Cfz99Qp-CRcAY/s1600/3stars.jpg" width="174" /></a></div><p></p>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-67784038199246095372024-03-08T22:00:00.243+00:002024-03-08T22:00:00.134+00:00Frightfest Glasgow: Wake Up (2024)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7taQiBDx3GnP8HFvblFYeJAa2fyf2Anskt6s2ngw5OwGjovEN96H0GIWPMpxH7qCR6ZcMH9hy_MxVVdkjEtiYzQOp1hpOPywrDnoKc6q5aLV3Fm2ElHADez5q4EgYZGWvj9h4RT59rKjA14agFHCO9yH15y0DrlxDXYK7m4PTaKNBnM5lQrWnMP-zFVk/s600/Wakeup-1.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="600" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7taQiBDx3GnP8HFvblFYeJAa2fyf2Anskt6s2ngw5OwGjovEN96H0GIWPMpxH7qCR6ZcMH9hy_MxVVdkjEtiYzQOp1hpOPywrDnoKc6q5aLV3Fm2ElHADez5q4EgYZGWvj9h4RT59rKjA14agFHCO9yH15y0DrlxDXYK7m4PTaKNBnM5lQrWnMP-zFVk/w200-h133/Wakeup-1.jpg" width="200" /></a></div><b><u>Director:</u></b> Anouk Whissell, Yoann-Karl Whissell, François Simard<p></p><p><b><u>Running Time:</u></b> 80 Minutes</p><p><b><u>Starring:</u></b> Turlough Convery, Benny O. Arthur, Jacqueline Moré, Charlotte Stoiber, Thomas Gould, Alessia Yoko Fontana, Aidan O'Hare, Kyle Scudder</p><p><br /></p><p>Following on from distinctively impressive works such as <i>Turbo Kid </i>and <i>Summer of 84</i>, <i style="font-weight: bold;">Wake Up </i>is another terrific entry from the directorial collective known as RKSS (made-up of directors Anouk Whissell, Yoann-Karl Whissell, and François Simard.) The feature begins in attention-grabbing fashion as a masked figure live-streams promising blood-for-blood, urging people to be responsible for how their world is changing.</p><p>This rallying call is shared by a group of young activists intent on putting their plan into motion, and it begins as they enter an IKEA-style furniture store before it closes to find hiding places. After the store is shut, the activists emerge to commit vandalism in protest of how the brand is massacring animals and destroying the rainforest. What they did not account for is a security guard with a passion for primitive hunting, as he stalks the trapped activists across a night filled with violence and terror.</p><p>Making up the activists are people who believe in the cause with everything they have, and rich kids that hope to go viral while having fun. Tension is felt within the members, particularly as leader Ethan (Benny O. Arthur) is open about how it was not his decision to bring along member Karim (Thomas Gould). One wishes there was more characterization available within this group, although the spiraling situation leaves the fear and frustration to be felt as their previous posturing understandably vanishes. The nightmarish occurrences leaves them to become scared children panicking within a situation more horrific then they could have imagined.</p><p>Pursuing the activists with murderous intent is Kevin, the security guard chillingly portrayed by Turlough Convery. He needs his security guard job to fulfil his passion for hunting, caring only for the activity which is regularly dismissed by his brother. The bubbling anger is felt within Kevin as things repeatedly do not go his way, building with considerable tension until events cause him to snap. He becomes intent on silencing the situation through crafty manipulations and makeshift weapons, utilizing his skills honed from killing the environment's creatures against a group whose actions were in support of mother nature.</p><p>Across this visually striking feature are excellent examples of pulse-pounding horror, leaving a trail of bodies which encourages the furniture store to change its name to Die-KIA. The stand-out sequence occurs within pitch-black surroundings, as danger threatens to attack from any angle in ways that catch viewers off-guard as much as the activists. Such a magnificent union of contemporary issues, thrilling sequences, and a gleeful mean-spiritedness leaves <i style="font-weight: bold;">Wake Up </i>as an effective slasher from a fantastic assortment of filmmakers.</p><p><i>Wake Up made its UK Premiere at Frightfest Glasgow 2024</i></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEBoIxxcFqRXEUwGhO9SM5V1gp_9jQ4GPwa6pbAn5VU5VJvoKlqU18Dn1o479wSDjPQnArVs2ck4YjBTqgmTnx0AxwutsQHa1xsOC7aQK7ELDtX0l7ao6h-zFVPUIKAhBlVoSrQfcXRxTVKIloFLidiCBQendTZ8axliRiwJUxjrJm4tZrFypD0Mvs7E0/s174/4stars.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="107" data-original-width="174" height="107" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEBoIxxcFqRXEUwGhO9SM5V1gp_9jQ4GPwa6pbAn5VU5VJvoKlqU18Dn1o479wSDjPQnArVs2ck4YjBTqgmTnx0AxwutsQHa1xsOC7aQK7ELDtX0l7ao6h-zFVPUIKAhBlVoSrQfcXRxTVKIloFLidiCBQendTZ8axliRiwJUxjrJm4tZrFypD0Mvs7E0/s1600/4stars.jpg" width="174" /></a></div><p></p>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-20163287525155362502024-03-08T17:15:00.282+00:002024-03-08T17:15:00.127+00:00Frightfest Glasgow: The Deep Dark (2024)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjSHqHpPg0bw1lF9OwGlf8fgCG-eOD5HIaY74MYA8pWZLZtnYnf3jZvEbmDJxqrVZ9c-GLlkMo6VgV1gWIU9lWzY6y-aF-4mIVJq-fOsKOJWHQ9TmmEUC2kQRikeJfiwycu3apKaawb-VNz7BtRGCIcbpKzPANusp3rpxoPMzUdu2yGo02zuP7WfzeG9M/s571/TheDeepDark-posterart.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="571" data-original-width="400" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjSHqHpPg0bw1lF9OwGlf8fgCG-eOD5HIaY74MYA8pWZLZtnYnf3jZvEbmDJxqrVZ9c-GLlkMo6VgV1gWIU9lWzY6y-aF-4mIVJq-fOsKOJWHQ9TmmEUC2kQRikeJfiwycu3apKaawb-VNz7BtRGCIcbpKzPANusp3rpxoPMzUdu2yGo02zuP7WfzeG9M/w140-h200/TheDeepDark-posterart.jpg" width="140" /></a></div><b><u>Director:</u></b> Mathieu Turi<p></p><p><b><u>Running Time:</u></b> 103 Minutes</p><p><b><u>Starring:</u></b> Samuel LeBihan, Amir El Kacem, Jean-Hughes Anglade, Thomas Solivérès, Marc Riso, Bruno Sanches, Diego Martin, Philippe Torreton</p><p><br /></p><p>Opening in 1856, miners are shown venturing deep within a coal mine to access a specific area by using dynamite. A resulting cave-in sees the group trapped within the subterranean depths, although it becomes clear another presence lurks within the darkness. The story then cuts to 1956, where the tenacious Amir (Amir El Kacem) is selected for work as a coal miner in France. He is ecstatic as the job pays well, although he is assigned to a mine known as Devil's Island - the location where anybody who messes up is assigned to as punishment.</p><p>Amir's hiring comes just as management bends to the whims of Professor Berthier (Jean-Hugues Anglade), who has the connections and money to ensure his desires shall be met. Berthier wishes to be personally escorted underground by veteran miner Roland (Samuel Le Bihan), in order to take samples and measurements. When a sudden landslide prevents the miners from surfacing, they are forced to face an ancient horror who craves blood.</p><p>What writer/director Mathieu Turi accomplishes is building a functioning system within this mine, breathing life into this world through small touches and the sense of everything having a place. This includes the importance of hooks, or how miners use rats to be aware of incoming danger. The cornerstone of this comes from early words shared by Roland, about there being no discrimination within the mines as everybody is down there to work.</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0vyObXNiT-QWlPGcNszWIGK-t8Y81rLeNGwYBd_xiAp4ZQpFHD_jgj8SNrPIVqrBl1Nv1-qEaq8p9JsnSQzxgpxtjaxfzWVKGmAqtZLEWtcSujZ8cJhHRsPUhNHSJSFkyxIwlZnjCdQjUldeMvuHxfHRwpjH0N2zggTTBRp0ivbQJHjc6kw5XUPjRAtY/s600/TheDeepDark-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="323" data-original-width="600" height="172" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0vyObXNiT-QWlPGcNszWIGK-t8Y81rLeNGwYBd_xiAp4ZQpFHD_jgj8SNrPIVqrBl1Nv1-qEaq8p9JsnSQzxgpxtjaxfzWVKGmAqtZLEWtcSujZ8cJhHRsPUhNHSJSFkyxIwlZnjCdQjUldeMvuHxfHRwpjH0N2zggTTBRp0ivbQJHjc6kw5XUPjRAtY/s320/TheDeepDark-1.jpg" width="320" /></a></div><p><br /></p><p>Driven by the promise of well-paid work, Amir soon finds himself drained by the reality of his mining job. He does not want to cause trouble, merely wishing to get the job done, while becoming interested in the archeology as the team ventures further underground. Meanwhile, Roland's priority is looking after his men, and takes it to heart if he cannot protect any of the team working under him. This clashes with Berthier's priorities, who disregards warnings from the seasoned miners due to only caring about his discoveries. Of the remaining miners, Louis is the only other one that stands out due to how his every action inspires contempt from the audience.</p><p>As the team delivers further into the mine, they make discoveries which leaves them alternating between surprised and terrified for their lives. As the conversation leaves them questioning the sustainability of their jobs, the fears of losing their only source of income leaves some to make questionable decisions. While one particular action may be considered ill-fated and blinded by greed, their worries ring true to leave their actions as somewhat understandable.</p><p>What unfolds is a tense work that effectively uses darkness to the film's advantage, particularly during an effective sequence utilizing a camera flash. The practical effects impressively bring alive the gore and key creature, as those elements add to the well-crafted atmosphere. It is worth mentioning that this could have been more effective across a leaner runtime, particularly when some characters feel included to raise the body count. While the feature does invite comparisons to <i>The Descent</i>, <b><i>The Deep Dark</i></b> stands on its own feet and remains an effectively crafted feature.</p><p><i>The Deep Dark made its UK Premiere at Frightfest Glasgow</i></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjkvFPH-_o56VZCXspJX0hbk0S3GGoO0fa3WMQZFaSsW51qrq_q8GIEpx7SVvztBdpisJLrvw0fjTZv3Z3unAP1k8NVA3Nq6JPO8OCj3if-TtBHqYmx_CeceITuLs35HCLH6F8OBJD-_wJwG0CEExxzJkSYxrnVc7bwVCsFarH69Yln6NaE95EltYwMLA/s174/3.5stars.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="107" data-original-width="174" height="107" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjkvFPH-_o56VZCXspJX0hbk0S3GGoO0fa3WMQZFaSsW51qrq_q8GIEpx7SVvztBdpisJLrvw0fjTZv3Z3unAP1k8NVA3Nq6JPO8OCj3if-TtBHqYmx_CeceITuLs35HCLH6F8OBJD-_wJwG0CEExxzJkSYxrnVc7bwVCsFarH69Yln6NaE95EltYwMLA/s1600/3.5stars.jpg" width="174" /></a></div><p></p>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-64737858422738605992024-03-08T15:45:00.008+00:002024-03-08T15:55:32.453+00:00February 2024 In Review<p>February has left us behind, and the UK has received some amazing films this year (courtesy of later scheduled release dates). At least they are a nice counterbalance to some more regrettable releases of 2024. So, let's see what films I watched this past February.</p><p><br /></p><p><a href="https://www.thereviewingrodders.co.uk/2024/03/blue-giant-2023.html">Blue Giant</a> (2023) - 4.5/5 - A gorgeously realized tale of musical passion, and the community united with a love for the performers.</p><p><a href="https://www.thereviewingrodders.co.uk/2024/02/the-vance-institute-2023.html">The Vance Institute</a> (2023) - 3/5 - An interesting gaze upon manipulative groups that promising healing through penance.</p><p><a href="https://www.nerdly.co.uk/2024/02/13/rewind-the-vanishing-1988-review/">The Vanishing</a> (1988) - 5/5 - An unforgettable masterwork that burrows itself into your soul and threatening to never leave.</p><p><a href="https://www.nerdly.co.uk/2024/02/16/the-iron-claw-review/">The Iron Claw</a> (2023) - 4.5/5 - A heart-shattering tale of a family living under a domineering father.</p><p><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgfol4JGDrld6OmlcHNhVRv2BNM7ByVAM2QEc5CkM5iJ7SzQZfVmSvo8DOZwt36dwY1oD6gdK_fd3RHLaWohtmtDGWvO_4qgFB9QMnLN3pOEOytbw498iJ1mQ3PDm1lWo1pURpechfiyH_OmUe2Qqj52n3mkyKjwDoet498WA0PQX1U2gzFcQrAzjYIqI/s1790/the_vanishing.webp" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1080" data-original-width="1790" height="193" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgfol4JGDrld6OmlcHNhVRv2BNM7ByVAM2QEc5CkM5iJ7SzQZfVmSvo8DOZwt36dwY1oD6gdK_fd3RHLaWohtmtDGWvO_4qgFB9QMnLN3pOEOytbw498iJ1mQ3PDm1lWo1pURpechfiyH_OmUe2Qqj52n3mkyKjwDoet498WA0PQX1U2gzFcQrAzjYIqI/s320/the_vanishing.webp" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Best film of the month and Best film <br />watched for the first time: <i>The Vanishing (1988)</i></td></tr></tbody></table><p style="text-align: center;"><br /></p><p>Yuki's Sun (1972) - 3/5 - The first directorial work from Hayao Miyazaki, this 5-minute TV pilot establishes itself as following Yuki, a girl abandoned as a child seeking for her mother. There is much personality packed into here, particularly with Yuki'a habit of hitting people when she's happy, although what is shown feels like a highlight reel of a TV series without the investment built up in-between such key moments. An interesting start for such a renowned filmmaker.</p><p>Batman (1966) - 3.5/5 - A feature-film based on ABC's <i>Batman</i> TV series, this sees Batman & Robin trying to stop the dastardly plans of four escaped villains; The Joker, Penguin, Catwoman, and The Riddler. What unfolds is a riotous romp which marvelously reflects a curious time in comic-book heroics, where the plot involves a dehydration machine which turns its targets into piles of dust, numerous aquatic animals exploding, and the longest countdown I've seen for a bomb. It's also pretty tongue-in-cheek about the heroes, be it highlighting how they're brilliant detectives by having them solve ridiculous riddles courtesy of Olympic-level leaps of logic, and them being overly moralistic about people drinking alcohol. It does feel overlong, there is no reason this had to be over 90-minutes, yet this is an entertaining time which I prefer to a good amount of live-action Batman films.</p><p>The Deep Dark (2024) - Review to come</p><p><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR4kXLzrIzWLXRhUeMFul-QIXbXyQu0_J9Ft3tt1p9VLp3k_eKVywku4V6yp8Dt6Y48PMTVHzk0dnYeWX7rlLdfOiTCW0P9cFGIoLDJR3NoIxEpfCFfeIiW5lrV4XI0f2aEx1tzNWGeCMN6PkU8vT6T_AH33MTeXgUXQsM23eK7jIB25a5inDJp6oKfTQ/s1638/tic.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="922" data-original-width="1638" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR4kXLzrIzWLXRhUeMFul-QIXbXyQu0_J9Ft3tt1p9VLp3k_eKVywku4V6yp8Dt6Y48PMTVHzk0dnYeWX7rlLdfOiTCW0P9cFGIoLDJR3NoIxEpfCFfeIiW5lrV4XI0f2aEx1tzNWGeCMN6PkU8vT6T_AH33MTeXgUXQsM23eK7jIB25a5inDJp6oKfTQ/s320/tic.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Best film seen in cinemas: <i>The Iron Claw (2023)</i></td></tr></tbody></table><p style="text-align: center;"><br /></p><p>Mean Girls (2024) - 2/5 - 2004's <i>Mean Girls</i> is a favourite film of mine, so I was interested in seeing this adaptation of the Broadway musical. What unfolded follows a cliffnotes version of the same basic plot, while stretching out the runtime to almost two-hours and padding it out with forgettable songs. The cast do well bringing alive these roles, with Reneé Rapp being the standout as this iteration of Regina George, although they can only do so much with a script that prioritizes half-hearted references to the original film. Also, as much as I think Angourie Rice is a talented actress, it did not help that she had the weakest singing voice of the cast. It is apparently a film that intended to modernize the original, but outside of integrating TikTok into the film, it feels like this iteration has little of its own identity. The marketing may as well have had the tagline "Get in, loser, we're going to constantly reference a much better film."</p><p>The Zone of Interest (2023) - 4.5/5 - At a first glance, the story of a constantly working dad trying to build a dream life for his family while grappling with structural changes at work sounds like the plot of a light film that ends with the father realizing what is truly important in life. "Light" is absolutely not a word to describe Jonathan Glazer's latest feature, as he adapts Martin Amis' novel to depict a Nazi family living next door to Auschwitz. This unsettling work follows a family that have distanced themselves from the evil acts unfolding next door, numb to the horrors that can be heard within earshot, while Mica Levi's score gets under your skin as it plays throughout. Glazer has crafted a chilling look at humanity through this single family, and it is an unforgettable work.</p><p><a href="https://www.nerdly.co.uk/2024/02/15/the-after-short-film-review-netflix/">The After</a> (2023) - 1.5/5 - A half-hearted short that feels more suited to Facebook reels.</p><p><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS43PojMZm78drGfcZ8__1fsYuate2qbUyo42q6iV-K_sK7YiViXEbXXowvhZRC7f4-9yjJ9F30JvqhH4HjpxaQTUNYVbuO7d7NNBv7-F_P7yAOedjmHcP5tK8lvvjudxRLd02h8Ig-k_Sb8sQ2B6x_rDlXhuwaFsaYEvDgyMcynhpU5DdkuoSK9jPKIw/s2133/dune2021.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="2133" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS43PojMZm78drGfcZ8__1fsYuate2qbUyo42q6iV-K_sK7YiViXEbXXowvhZRC7f4-9yjJ9F30JvqhH4HjpxaQTUNYVbuO7d7NNBv7-F_P7yAOedjmHcP5tK8lvvjudxRLd02h8Ig-k_Sb8sQ2B6x_rDlXhuwaFsaYEvDgyMcynhpU5DdkuoSK9jPKIw/s320/dune2021.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Biggest Surprise: <i>Dune (2021)</i></td></tr></tbody></table><p style="text-align: center;"><br /></p><p><a href="https://www.nerdly.co.uk/2024/02/16/murdaritaville-review/">Murdaritaville</a> (2024) - 0.5/5 - A lackluster way of honouring Jimmy Buffett.</p><p><a href="https://www.thereviewingrodders.co.uk/2024/02/the-promised-land-2024.html">The Promised Land</a> (2024) - 4/5 - An engrossing tale of all-consuming determination.</p><p>Kill Your Lover (2024) - Review to come</p><p><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKEV4LIpInjnBjAGZlBiuYcBke9gZX-m3Gi53mVBBTSinXGaTAenvmvAE-54uP6KNR85uArAom0cwM786LJ6AKeTA9cUoVG3EaujtfsqVh5yr0Zd1yeG65MjLpF_2o4AZbOHV7wr_cJhk2dvUHTmOo9jPPCvQQIHG4BI7zDvUx0MKnjJyR36RNDoOuw7s/s1724/mg24.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1038" data-original-width="1724" height="193" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKEV4LIpInjnBjAGZlBiuYcBke9gZX-m3Gi53mVBBTSinXGaTAenvmvAE-54uP6KNR85uArAom0cwM786LJ6AKeTA9cUoVG3EaujtfsqVh5yr0Zd1yeG65MjLpF_2o4AZbOHV7wr_cJhk2dvUHTmOo9jPPCvQQIHG4BI7zDvUx0MKnjJyR36RNDoOuw7s/s320/mg24.png" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Biggest Disappointment: <i>Mean Girls (2024)</i></td></tr></tbody></table><p style="text-align: center;"><br /></p><p>Wake Up (2024) - Review to come</p><p><a href="https://www.nerdly.co.uk/2024/02/26/camp-pleasant-lake-review/">Camp Pleasant Lake</a> (2024) - 1/5 - A feature-length way of dragging out a single joke.</p><p>DC Showcase: Blue Beetle (2021) - 3.5/5 - A fun DC short which feels in the vein of a Saturday morning cartoon, using a simplistic animation style akin to a Hanna-Barbera cartoon for an entertaining team-up between Blue Beetle and The Question. A decent time which reminds me how fantastic these DC Showcase shorts can be.</p><p><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2tlsMZ98n81OEvV2FQwl35OcQqU-7MIYfjw2o46cGQJJNdVi-_V5poCWR5ui-EyCXulmhLF7zyCpaMjJKR_lZN9itNP0HR1pCMDUHfnW_Oox3RBeC_KPf8rJjJEJ4REIY69Abj5xlcYaJQvjShschnuBReyhlPRPPwcQKdz1VvYZPCfoP9IjCnaluIkg/s1500/february16.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="1500" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2tlsMZ98n81OEvV2FQwl35OcQqU-7MIYfjw2o46cGQJJNdVi-_V5poCWR5ui-EyCXulmhLF7zyCpaMjJKR_lZN9itNP0HR1pCMDUHfnW_Oox3RBeC_KPf8rJjJEJ4REIY69Abj5xlcYaJQvjShschnuBReyhlPRPPwcQKdz1VvYZPCfoP9IjCnaluIkg/s320/february16.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Biggest Surprise: <i>February (2016)</i></td></tr></tbody></table><p style="text-align: center;"><br /></p><p>Argylle (2024) - 1.5/5 - When the plots of her fictional spy novels mirror real-life events, writer Elly Conway finds herself hunted by a covert spy organization, with her only allies being her cat, Alfie, and cat-allergic spy, Aiden. There is interesting material built out of this initial hook, as a spy novelist is thrown into a world that she has built a career, and it allows for a charming dynamic to form between the on-screen roles of Bryce Dallas Howard and Sam Rockwell.</p><p>And then came the much publicized turn in the story. The idea is initially interesting, yet it just leads to the film settling into a more standard spy flick where lacking execution undoes the decent ideas. I especially found this happening during the action scenes, with a colourful gas shootout and the skating fight being set-pieces that should have grabbed my interest. Yet, the ideas are bogged down by a stale realization and hindered by a distracting use of CGI.</p><p>As the plot made itself unnecessarily complicated across an overlong runtime, what truly let down the work was a sense of self-satisfied smugness regarding how clever the filmmakers think this film is. It all just came off as exhausting, and left me uninterested in the franchise set-up that was left behind in the post-credits scene.</p><p>The Call (2015) - 2/5 - What initially unfolds appears to be a short film about Mads Mikkelsen and Malin Buska falling for each-other while running lines for their roles. The duo ooze charm as they interact off one-another, although it becomes clear that this is actually a furniture commercial intent on wasting everyone's time.</p><p><a href="https://www.nerdly.co.uk/2024/03/06/lift-review-netflix/">Lift</a> (2024) - 1/5 - A Netflix film which does not manage to take off.</p><p><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6Cco56n3KnlDOxIUi3UwJQhlg1n0JCApJ5dmzOdQXmHA0MpD7iqxoTpV3SqTPaxqUntwwkkmG1gE5IaeaPIelS6IPs9svQms81EMSSCqN7olD2uukCoelb6iUzQBMxcNHuXG8rjMGXtqFO04ngIr0mj_7MzDbKa6zuVf-2SvmvJ67UvlLRccEMI8G40U/s1920/mtv24.webp" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1080" data-original-width="1920" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6Cco56n3KnlDOxIUi3UwJQhlg1n0JCApJ5dmzOdQXmHA0MpD7iqxoTpV3SqTPaxqUntwwkkmG1gE5IaeaPIelS6IPs9svQms81EMSSCqN7olD2uukCoelb6iUzQBMxcNHuXG8rjMGXtqFO04ngIr0mj_7MzDbKa6zuVf-2SvmvJ67UvlLRccEMI8G40U/s320/mtv24.webp" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Worst film of the month: <i>Murdaritaville (2024)</i></td></tr></tbody></table><p style="text-align: center;"><br /></p><p>February (2016) - 4/5 - At a boarding school during winter break, two girls are left behind while waiting for their parents to pick them up. What unfolds is a slow-burn tale that is equally enthralling and unsettling, getting under ones skin with the aid of Elvis Perkins' excellent music. The cast do magnificent work in their roles, especially the terrific Kiernan Shipka. While turns in the story may be far from surprising, this does not dull the mood tremendously established by writer/director Osgood Perkins. A marvellous little gem.</p><p>Madame Web (2024) - 1/5 - After an accident leaves her with the ability to see the future, paramedic Cassandra Webb uses her powers to help save the lives of three young women who are being hunted by a wall-crawling murderer. Credit where it is deserved, there are interesting elements involving threads of destiny, the practical use of precognition, and repeated symbolism involving the web of fate.</p><p>It is a shame those elements are suffocated within this butchered final cut. The script wishes to deliver arcs to establish characters growing and their troubled relationships, yet it repeatedly skips to the end without allowing for development beforehand. When Cassandra says that she forgives somebody, there is not anything beforehand which even hints that the lead had bad feelings towards the character. It is also pretty laughable that Cassandra can be wanted for kidnapping, only to make it back to her apartment with no issue and later fly to Peru without a single problem.</p><p>Accentuating the issue is the dreadful editing, undermining S.J. Clarkson's direction by rendering whole scenes as incomprehensible while leaving the cast struggling to shine with their scenes hacked away. Suffering the worst is Tahar Rahim, as his ADR lines largely unfold with his face off-screen and even fail to match up with his lip movements. There is little to this character, from what he does to be so rich and powerful, what he hopes to achieve that he fears being taken from him, and even who the unnamed helper is operating his computers.</p><p>If only somebody at Sony had a mother in the Amazon that was researching how to edit a film.</p><p><a href="https://www.thereviewingrodders.co.uk/2024/03/cold-meat-2024.html">Cold Meat</a> (2024) - 3.5/5 - An effective thriller set within the confines of a car.</p><p>Dune (2021) [rewatch] - 4.5/5 - A magnificent work where no shot feels wasted, with each feame carefully crafted to transport viewers into this universe where all that matters is controlling the spice. This remains an engrossing tale of political wranglings within a fantastical place, with the majority of characters effectively brought alive in phenomenal ways, and I cannot wait to return very soon for Part Two.</p><p><br /></p><div style="letter-spacing: 0.2px;"><div style="text-align: center;">Best film of the month: The Vanishing (1988)</div></div><div style="letter-spacing: 0.2px;"><div style="text-align: center;">Best film seen in cinemas: The Iron Claw (2023)</div></div><div style="letter-spacing: 0.2px;"><div style="text-align: center;">Best film watched for the first time: The Vanishing (1988)</div></div><div style="letter-spacing: 0.2px;"><div style="text-align: center;">Best film rewatched: Dune (2021)</div></div><div style="letter-spacing: 0.2px;"><div style="text-align: center;">Biggest Disappointment: Mean Girls (2024)</div></div><div style="letter-spacing: 0.2px;"><div style="text-align: center;">Biggest Surprise: February (2016)</div></div><div style="letter-spacing: 0.2px;"><div style="text-align: center;">Worst film of the month: Murdaritaville (2024)</div></div><div style="letter-spacing: 0.2px;"><div style="text-align: center;"><br style="letter-spacing: 0.2px;" /></div><div style="text-align: center;">Number of films watched: 23</div></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-49587666828511974182024-03-08T13:00:00.000+00:002024-03-08T13:14:19.273+00:00Blue Giant (2023)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW-0CFDxobEHtvgWXFkmAcbg57yDkUHbL7mbpUYaVI102KTlScl2aUd1eH137REYowM9TFGvax3H8UxpISkbllMQCwkKJrN2iCHeUTM5-UVEQGm0SLpR-WBsQurhilGoj0IAPy2w4c9OIOkKOzg6Us4z_oDo3GidJEtoTGsEgR4u0alzuNHJEWeDGvleY/s12000/One_Sheet_2.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="12000" data-original-width="8100" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW-0CFDxobEHtvgWXFkmAcbg57yDkUHbL7mbpUYaVI102KTlScl2aUd1eH137REYowM9TFGvax3H8UxpISkbllMQCwkKJrN2iCHeUTM5-UVEQGm0SLpR-WBsQurhilGoj0IAPy2w4c9OIOkKOzg6Us4z_oDo3GidJEtoTGsEgR4u0alzuNHJEWeDGvleY/w135-h200/One_Sheet_2.jpg" width="135" /></a></div><b><u>Director:</u></b> Yuzuru Tachikawa<p></p><p><b><u>Running Time:</u></b> 119 Minutes</p><p><b><u>Certification:</u></b> 12a</p><p><b><u>Starring:</u></b> Yuki Yamada, Shotaro Mamiya, Amane Okayama, Yusuke Kondoh, Mirei Suda, Kenji Nomura, Hiroki Touchi, Yutaka Aoyama, Masayuki Katô, Sayaka Kinoshita</p><p><br /></p><p>Adapted from Shinichi Ishizuka's internationally renowned manga, <i style="font-weight: bold;">Blue Giant </i>begins with Dai Miyamoto (Yuki Yamada) hard at work as he practices the saxophone in snowy climates. After moving to Tokyo to follow his dream of becoming the world's greatest jazz musician, Dai's priority is to find a place where he can practice his music, and is overjoyed upon discovering a location under the bridge.</p><p>After being impressed by pianist Yukinori Sawabe (Shotaro Mamiya), the pair form a band that is rounded off by new drummer Shunji Tamada (Amane Okayama). Calling themselves JASS, the band grow with each live performance and strive towards their goal of playing at So Blue, the most famous jazz club in Japan.</p><p>Things do not begin smoothly, with Sawabe initially unsure due to believing jazz bands do not last long because members use each other as stepping stones to progress. He soon becomes determined to make them into a real band, leading the trio to focus on empowering their sounds. United by how jazz inspires them, the trio's relationships are at the forefront of this tale and brought alive in touching ways.</p><p>Outside of their love for music, each member of JASS has their own reasons to persevere. Alongside his dedication to playing the saxophone, Dai wants their group to be brilliant and does whatever he can to ensure they are all on the same level. Sawabe wishes to keep the genre alive, believing that the way forward is not to stick to the same old techniques, so becomes intent on surpassing his limitations. Tamada takes a fantastic journey as his growing desire for music leads him to take up the drums. He may feel disheartened by how far he is behind his bandmates, yet this makes him determined to improve and ensures that his growing confidence and skill are so wonderful to see.</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBerggi3iFAHYUl4eSgvttGqEpvdkAOIFBSrJQ4uF8Is-RIbJtrQpCMYKgJ553jO_EVkyIvhsN_tD5PQcw2TVRFYOTeCYtiwXYDV9Aw34OaGLBbtr_t27-1vZ7AqwiEhuRNhVhyphenhyphenS3am50h5BQsCPTLSvrJrZadhfdB4EJG1cltM92pQ6G3bdchDPXQgtA/s1920/BG_main.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBerggi3iFAHYUl4eSgvttGqEpvdkAOIFBSrJQ4uF8Is-RIbJtrQpCMYKgJ553jO_EVkyIvhsN_tD5PQcw2TVRFYOTeCYtiwXYDV9Aw34OaGLBbtr_t27-1vZ7AqwiEhuRNhVhyphenhyphenS3am50h5BQsCPTLSvrJrZadhfdB4EJG1cltM92pQ6G3bdchDPXQgtA/s320/BG_main.jpg" width="320" /></a></div><p><br /></p><p>While this story may seem familiar in how it depicts a prodigy dreaming of greatness, the film sets itself apart by not limiting itself to that gaze. It also depicts a community that have become engrossed with the band, including a man moved by the music after attending on a whim, a fan who wants an autograph, and an old man that is keen to see the drummer improve since the first performance.</p><p>It also makes jazz welcoming to newcomers, as explanations effectively help those less familiar with the musical genre, such as highlighting how improvisation is where musicians bare their soul. It also depicts the impact that jazz has, while also capturing the passion and determination which bursts forth from the musicians. All of this adds towards an engaging tale which takes emotional turns that leave viewers captivated.</p><p>Bringing alive this work is a magnificent animated style, as the musical performances sees the 3D animation effectively integrated into the 2D animation in ways which captures the bands talents. The use of colour breathes life into the sequences alongside the energetic score - courtesy of pianist Hiromi Uehara, drummer Shun Ishikawa, and saxophonist Tomoaki Baba. The combined elements conjures emotions and memories in effective ways that feel transportive, such as the visually phenomenal ways that Dai's history and passion pour out when he first plays music for somebody else. As the story climaxes with a gorgeously realized performance, <i style="font-weight: bold;">Blue Giant </i>cements itself as a bittersweet tale about the lengths one takes to fulfil their passions.</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcsg1xRuveV_NfA6xD4d7jWtaID5jBqysb6rtDZ1QYnA0RlWHJfUXChn8UR4pX3N-tjjjvXTAagu8b0CmnhpMFc2yng9RgcivB67JL7oCFJMTuw5zwMeNZ8YcXB5tHSF_QfaHb0RSkaHX2KLFM6LizFxMkLhpGSlbJtdregvK3eGcw5d8GRcCiDNZK38k/s174/4.5stars.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="107" data-original-width="174" height="107" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcsg1xRuveV_NfA6xD4d7jWtaID5jBqysb6rtDZ1QYnA0RlWHJfUXChn8UR4pX3N-tjjjvXTAagu8b0CmnhpMFc2yng9RgcivB67JL7oCFJMTuw5zwMeNZ8YcXB5tHSF_QfaHb0RSkaHX2KLFM6LizFxMkLhpGSlbJtdregvK3eGcw5d8GRcCiDNZK38k/s1600/4.5stars.jpg" width="174" /></a></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-34762716560106264682024-03-07T20:30:00.020+00:002024-03-18T16:34:27.997+00:00Frightfest Glasgow 2024<p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjREqOpUvMkwEpdG0KsOfqBE5bbWbW4JOPUZi5BVQZNdAYpR11C6_HTTx_OD8onfY13IXro70Ej81VJGVDAXjS-c34ADVYyG9oiazGpsED96Dml04o4IdaIXZszc9O_4_7Nd8HnlYTYKOHbFbBZL_pElDmufIlY5A4OBXAUrw0bnT-oUEi18G0EgHFdDXY/s1500/thumbnail_FF%20Glasgow%202024%20-%20press%20release%20banner-clean.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1500" height="107" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjREqOpUvMkwEpdG0KsOfqBE5bbWbW4JOPUZi5BVQZNdAYpR11C6_HTTx_OD8onfY13IXro70Ej81VJGVDAXjS-c34ADVYyG9oiazGpsED96Dml04o4IdaIXZszc9O_4_7Nd8HnlYTYKOHbFbBZL_pElDmufIlY5A4OBXAUrw0bnT-oUEi18G0EgHFdDXY/s320/thumbnail_FF%20Glasgow%202024%20-%20press%20release%20banner-clean.png" width="320" /></a></div><br /><p></p><p>A round-up of my reviews playing at Frightfest Glasgow 2024. Links will be updated.</p><p><br /></p><p><a href="https://www.thereviewingrodders.co.uk/2024/03/frightfest-all-you-need-is-death-2024.html">All You Need Is Death</a> (dir. Paul Duane)</p><p><a href="https://www.thereviewingrodders.co.uk/2024/03/frightfest-glasgow-deep-dark-2024.html?m=1">The Deep Dark</a> (dir. Mathieu Turi)</p><p>The Funeral (dir. Orçun Behram)</p><p><a href="https://www.thereviewingrodders.co.uk/2024/03/frightfest-invisible-raptor-2024.html">The Invisible Raptor</a> (dir. Mike Hermosa)</p><p><a href="https://www.thereviewingrodders.co.uk/2024/03/frightfest-glasgow-kill-your-lover-2024.html">Kill Your Lover</a> (dir. Keir Siewert, Alix Austin)</p><p><a href="https://www.thereviewingrodders.co.uk/2024/03/frightfest-glasgow-last-straw-2024.html">Last Straw</a> (dir. Alan Scott Neal)</p><p><a href="https://www.thereviewingrodders.co.uk/2024/03/frightfest-glasgow-mom-2024.html?m=1">Mom</a> (dir. Adam O'Brien)</p><p><a href="https://www.thereviewingrodders.co.uk/2024/03/frightfest-glasgow-wake-up-2024.html?m=1">Wake Up</a> (dir. François Simard, Anouk Whissell, Yoann-Karl Whissell)</p>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-36590705745497667622024-03-06T14:30:00.008+00:002024-03-07T16:48:46.367+00:00Monsters 103 Mercies Dragon Damnation (2024)<p>Considering how much of a hit the live-action One Piece series was for Netflix, the streamer appears to have gone all-in with the works of creator Eiichiro Oda. Alongside having the rights to show the anime series’ latest arc with weekly releases, an animated adaptation was revealed for an earlier short story entitled Monsters. Whilst it is understandable that the title was changed to make this short film stand out, it is curious how the new title, <b><i>Monsters: 103 Mercies Dragon Damnation</i></b>, is considerably lengthier.</p><p>My review of <i>Monsters 103 Mercies Dragon Damnation</i> is now available to read at <a href="https://www.nerdly.co.uk/2024/03/06/monsters-103-mercies-dragon-damnation-review-netflix/">Nerdly</a>.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKJtSELtNaGibP1Lx36-4iobEFwyGHnikMh_KQpXZgR724mpnAfMQqOCwJsGdEUpJESQHu-UAWUs2x89DKePSNW70bue2wcs5zWIiT8IspfDstsh6x7Ng1-lL0KZ2w-TBX9Wx9kWbk7PykN5FotlpwIB-xyMpCUO2_xXj6T9lBe5TBV-vsz6Bmeq0aG8U/s829/monsters-103-art.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="829" data-original-width="560" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKJtSELtNaGibP1Lx36-4iobEFwyGHnikMh_KQpXZgR724mpnAfMQqOCwJsGdEUpJESQHu-UAWUs2x89DKePSNW70bue2wcs5zWIiT8IspfDstsh6x7Ng1-lL0KZ2w-TBX9Wx9kWbk7PykN5FotlpwIB-xyMpCUO2_xXj6T9lBe5TBV-vsz6Bmeq0aG8U/s320/monsters-103-art.jpg" width="216" /></a></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-90741806439631777032024-03-06T12:30:00.007+00:002024-03-07T16:45:07.015+00:00Lift (2024)<p>After behind-the-scenes conflict marred the final cut of 2019’s Men In Black: International, director F. Gary Gray returns with a simpler premise for Lift. The story initially begins at an auction in Venice, where international thief Cyrus Whitaker (Kevin Hart) arrives to bid on an item. Keeping an eye on Cyrus is Interpol agent Abby Gladwell (Gugu Mbatha-Raw), although it becomes clear that this is part of the plan when Cyrus’ team evades the agents to simultaneously kidnap an NFT artist and steal a Van Gogh painting.</p><p>My review of <i>Lift </i>is available to read at <a href="https://www.nerdly.co.uk/2024/03/06/lift-review-netflix/">Nerdly</a>.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIcWQSwOrmS_NczX2fSiYzUBpg2Z4f8awtOvgzUkravOVGAEjEn1mvTuI9FhLkCljfpPkX2QgRv1EhJpamTHxcmTjtqObYuTIzi7NkGDEKl0NVXjbTUHA5lZwlnIpnNaPm44KkSIDWjqeEEC78FBZgSJ-oXmzAYxF9iF2TvPd4CmJo_t7d7JPzAjq2884/s828/lift-poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="828" data-original-width="560" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIcWQSwOrmS_NczX2fSiYzUBpg2Z4f8awtOvgzUkravOVGAEjEn1mvTuI9FhLkCljfpPkX2QgRv1EhJpamTHxcmTjtqObYuTIzi7NkGDEKl0NVXjbTUHA5lZwlnIpnNaPm44KkSIDWjqeEEC78FBZgSJ-oXmzAYxF9iF2TvPd4CmJo_t7d7JPzAjq2884/s320/lift-poster.jpg" width="216" /></a></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-54437688261473506192024-03-01T16:00:00.009+00:002024-03-01T16:10:40.218+00:00Cold Meat (2024)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhegvK1Fu1HxUx4vuIb6vkHI3Bi1O5K1hsOnsMwHSphZyhz5-CzhjrY69j01Ikun5IgMNQFoYass5MLHmDoFC_wW5SIgdDl4mnjWk18dR4h17StzJ5-APjbNlBh6KAhqzVBRnOV7n4aMrLAOkJiRHp-AJ3CttW-xif3_xX1Wmn9Ceut-Uovm6HdOEjehqE/s1600/Cold%20Meat%20UK%20Poster%20(Signature%20Entertainment).jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhegvK1Fu1HxUx4vuIb6vkHI3Bi1O5K1hsOnsMwHSphZyhz5-CzhjrY69j01Ikun5IgMNQFoYass5MLHmDoFC_wW5SIgdDl4mnjWk18dR4h17StzJ5-APjbNlBh6KAhqzVBRnOV7n4aMrLAOkJiRHp-AJ3CttW-xif3_xX1Wmn9Ceut-Uovm6HdOEjehqE/w150-h200/Cold%20Meat%20UK%20Poster%20(Signature%20Entertainment).jpg" width="150" /></a></div><b><u>Director</u></b>: Sébastien Drouin<p></p><p><b><u>Running Time:</u></b> 88 Minutes</p><p><b><u>Certification:</u></b> 15</p><p><b><u>Starring:</u></b> Allen Leech, Nina Bergman, Yan Tual, James Barton-Steel</p><p><br /></p><p>Across sights of a snow-covered landscape, a unseen person shares their belief about how some people are only capable of the worst actions. A legend is then shared about wandering souls in constant pursuit of human flesh, ready to feast upon it despite never being satisfied. This idea about humanity being decimated on a whim is the building block for Sébastien Drouin's feature debut, <i style="font-weight: bold;">Cold Meat</i>.</p><p>As he passes through the Colarado Rockies, David Petersen (Allen Leech) finds that a storm is making his journey unnecessarily difficult. While stopping at a diner to take a break, he steps in to help waitress Ana (Nina Bergman) when she is threatened by her violent ex-husband, Vince (Yan Tual). After David gets back on the road, he is following by a truck-driving Vince through a blizzard. An ensuing chase results in David's car stuck within the eye of the storm, yet the cold is the least of his worries when a beast starts prowling outside.</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4sLTn7t6E9WtzbT9IK0UW8F6uxHk4-oQXpc7bziK9Jkou_KkbnAXcdUUd-vwE8F6J38OCXIpZeMFpu-yhpQ8nsYcv-uH2XbLgr8jB2DeEY1yKaXfU_1A6Dfl3qzMItNlvX1wJ_E_qT0eIKmFGdTu67OW6KrSFl3KmNDjtpF9AUCSe2YR9cZOVt3R8oxU/s3840/Allen%20Leech.%20Cold%20Meat,%20Signature%20Entertainment.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1723" data-original-width="3840" height="144" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4sLTn7t6E9WtzbT9IK0UW8F6uxHk4-oQXpc7bziK9Jkou_KkbnAXcdUUd-vwE8F6J38OCXIpZeMFpu-yhpQ8nsYcv-uH2XbLgr8jB2DeEY1yKaXfU_1A6Dfl3qzMItNlvX1wJ_E_qT0eIKmFGdTu67OW6KrSFl3KmNDjtpF9AUCSe2YR9cZOVt3R8oxU/s320/Allen%20Leech.%20Cold%20Meat,%20Signature%20Entertainment.jpeg" width="320" /></a></div><p><br /></p><p>Co-writer/director Drouin delivers a taut thriller within the confines of this car, as an effective tale unfolds that questions where one can go when danger surrounds them from every angle. The horrific result of the cold is magnificently captured in the make-up effects, while the more physical dangers involve a glimpse into the dark heart of humanity. A particularly effective moment involves an unsettling trip down memory lane, in a sequence that is as terrifically acted as the rest of the feature.</p><p>A twisty tale unfolds across the swiftly moving runtime, refusing to rest for long as each turn changes the meaning of what is happening on-screen. While a good amount of these effectively recontextualizes what viewers are seeing, there are some instances where what is included feels like an unnecessary twist. Despite such moments, <i style="font-weight: bold;">Cold Meat </i>is an effective thriller where the surroundings are as cold as the antagonistic heart.</p><p><i>Cold Meat is available on Digital Platforms now</i></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbpWmXdkQ4joWgoo1ZniXN2lbdRjVSVe-LjmXBqpZfkAeE4az0UgpvygW4B9HiyVWA4YY3BQn-EiV6_mVcin65iLTJDoWVgNYGbdJPDtr0ckB8SagYaZ9cMi3tMpjTpxm8Jl7kv9h1nN0-UhzcS-9gSGw_x4lfXK1M2A0vPdc7rsj8hM4fnKSdTxuMtBE/s174/3.5stars.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="107" data-original-width="174" height="107" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbpWmXdkQ4joWgoo1ZniXN2lbdRjVSVe-LjmXBqpZfkAeE4az0UgpvygW4B9HiyVWA4YY3BQn-EiV6_mVcin65iLTJDoWVgNYGbdJPDtr0ckB8SagYaZ9cMi3tMpjTpxm8Jl7kv9h1nN0-UhzcS-9gSGw_x4lfXK1M2A0vPdc7rsj8hM4fnKSdTxuMtBE/s1600/3.5stars.jpg" width="174" /></a></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-78548885822270608652024-02-26T16:30:00.010+00:002024-03-01T16:30:00.233+00:00Camp Pleasant Lake (2024)<p><i>“They say you cross paths with at least 20 killers in your lifetime and don’t even know it…”</i> This line of text opens the latest feature from writer/director Thomas Walton, intending to deliver a sense of foreboding regarding what is to come. <b><i>Camp Pleasant Lake</i></b> unfolds on the grounds of a revitalized campsite that a couple have transformed into an interactive horror experience.</p><p>My review of <i>Camp Pleasant Lake </i>is now available to read at <a href="https://www.nerdly.co.uk/2024/02/26/camp-pleasant-lake-review/">Nerdly</a>.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimT3AFMz-DdbktvOdHZ_fCLWWmwZp5ooJ5yUs1F0llBf9TLzhDCRzm69h7uSC3gtDjVWHkrAXyq-drKnxT2BzHL6XBURNG5CpcuYN5LoZsEOCkcLvAiYUT92P2i_FdPI9-Ofva6PzT9rb2ZwLuvnOK1WMfrsjh1c2wtv58r013UaVfKG5cj3Nqiejya74/s809/camp-pleasant-lake-art.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="809" data-original-width="560" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimT3AFMz-DdbktvOdHZ_fCLWWmwZp5ooJ5yUs1F0llBf9TLzhDCRzm69h7uSC3gtDjVWHkrAXyq-drKnxT2BzHL6XBURNG5CpcuYN5LoZsEOCkcLvAiYUT92P2i_FdPI9-Ofva6PzT9rb2ZwLuvnOK1WMfrsjh1c2wtv58r013UaVfKG5cj3Nqiejya74/s320/camp-pleasant-lake-art.jpg" width="222" /></a></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-10491511277120565562024-02-20T15:00:00.046+00:002024-02-20T15:17:45.161+00:00The Promised Land (2024)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLRmFIf_C0TdmaExK2pTcCq_-hkFb0pcqcEnv-6sz4x6mOeeeDH3sTR8qqXH-vHEzLVjJo0j-wLfSU7b62gsTvi2QlbhzZ6AKmJryRzEeQmcz-NFh_2hyphenhypheno4hM1dT3Dmg71saIfPnJyNa0oeJZzPihlMPWk_5jSmVrZtee8ToLvsLQjcCUj0LlMNfkxAnI/s1034/The%20Promised%20Land%20UK-OneSheet%20(web).jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1034" data-original-width="700" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLRmFIf_C0TdmaExK2pTcCq_-hkFb0pcqcEnv-6sz4x6mOeeeDH3sTR8qqXH-vHEzLVjJo0j-wLfSU7b62gsTvi2QlbhzZ6AKmJryRzEeQmcz-NFh_2hyphenhypheno4hM1dT3Dmg71saIfPnJyNa0oeJZzPihlMPWk_5jSmVrZtee8ToLvsLQjcCUj0LlMNfkxAnI/w136-h200/The%20Promised%20Land%20UK-OneSheet%20(web).jpg" width="136" /></a></div><b><u>Director:</u></b> Nikolaj Arcel<p></p><p><b><u>Running Time:</u></b> 121 Minutes</p><p><b><u>Starring:</u></b> Mads Mikkelsen, Amanda Collin, Simon Bennebjerg, Kristine Kujath Thorp, Gustav Lindh, Jacob Ulrik Lohmann, Melina Hagberg, Morten Hee Andersen, Magnus Krepper, Søren Malling</p><p><br /></p><p>Based on Ida Jessen's book <i>The Captain and Ann Barbara</i>, co-writer Anders Thomas Jensen (<i>Men & Chicken</i>, <i>Riders of Justice</i>) and director Nikolaj Arcel open their feature adaptation by laying the necessary groundwork. On-screen text describes the Heath of Jutland as a hopeless place that is besieged by brutal elements, barren soil, and outlaws. All that try to tame it fail miserably. <i style="font-weight: bold;">The Promised Land </i>makes it clear how treacherous the land is, and what a struggle such an attempt to conquer it will be.</p><p>Copenhagen, 1755. After serving the German army for 25 years, the impoverished Captain Ludvig Kahlen (Mads Mikkelsen) wishes to conquer the uninhabitable heath in the name of the King. While the government see this endeavour as a losing battle, Kahlen announces his intentions to fund the expedition himself in exchange for a noble title if he succeeds. While he believes the biggest troubles will come from the elements, trouble soon mounts courtesy of a merciless magistrate trying to claim ownership over the entire heath.</p><p>While the English title places the focus upon the land, that is a change from original Danish title of <i>Bastarden</i> - which translates to <i>The Bastard</i>. This highlights Kahlen's reality that he is determined to escape, intent on rising above his low-born status while already acting like a nobleman. Mikkelsen is utterly magnetic in this lead role, conveying so much through simple looks as he portrays somebody fighting an uphill battle. He captures this man who intends to persevere in spite of his petty antagonist, reacting to each setback and embarrassment with a newfound drive, regardless of what it may cost. While Hollywood struggles to give Mikkelsen substantial roles worthy of his talents, Danish filmmakers are thankfully on-hand to properly utilize his skills.</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1jGlqBbtXPxIrcAzogzful8JW0adaTW3tf2Gwssx2G7x3au1QIlX20xwCVPSKA8KnL63WEshddT7d0cwbL6sKrjbTkqcnN-0bvgnhnoacJ7NWtgmeb3eJ-ulDmD7rF8o0ouAGeX2M9PGHRGNRDxIIR07I-5BODPbeDwy2u3_u5ooZFKcpyDUfljp4N-4/s3840/Bastarden_photocredit%20Henrik%20Ohsten%20Zentropa_02700_Tryk.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2160" data-original-width="3840" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1jGlqBbtXPxIrcAzogzful8JW0adaTW3tf2Gwssx2G7x3au1QIlX20xwCVPSKA8KnL63WEshddT7d0cwbL6sKrjbTkqcnN-0bvgnhnoacJ7NWtgmeb3eJ-ulDmD7rF8o0ouAGeX2M9PGHRGNRDxIIR07I-5BODPbeDwy2u3_u5ooZFKcpyDUfljp4N-4/s320/Bastarden_photocredit%20Henrik%20Ohsten%20Zentropa_02700_Tryk.jpg" width="320" /></a></div><p><br /></p><p>As the merciless Frederik de Schinkel, Simon Bennebjerg brings a delicious sliminess to this entitled little man who is determined to get his own way, regardless of whether or not the law is on his side. The bubbling anger is tremendously captured whenever things do not go de Schinkel's way, leaving him to take dehumanizing lengths to enforce his will. This terrifies the cousin that he is betrothed to, Edel Helene (Kristine Kujath Thorp). Her family requires status through this union, although she takes a liking to Kahlen while realizing that he may be a suitable alternative.</p><p>Aiding the Captain throughout this undertaking are allies, including a priest named Anton (Gustav Lindh) who helps through thick and thin, and Anmai Mus (Melina Hagberg), a young Romani girl that is looked down upon due to her skin colour. Rounding off this group is Ann Barbara (Amanda Collin), a runaway worker who escaped from a cruel master along with her husband and becomes a strength within this group. A makeshift family is formed, united by a will to succeed and genuine caring for one another, although this blissful grouping is threatened by Kahlen's determination.</p><p>Integral to this story is the stunning cinematography, breathing life into the harsh surroundings that are being fought over while also capturing the threatening elements. The results of such all-consuming determination are witnessed by the stories end, with the toll of such an undertaking weighing heavily upon those who remain. Arcel's utilization of history into a compelling drama makes <i style="font-weight: bold;">The Promised Land </i>into an engrossing tale of all-consuming determination.</p><p><i>The Promised Land is available in UK cinemas now</i></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiclkunzi0BViZ0GocclVGhhZbUNcJR713T5EQ9WqC2BnxlfZBKri8yirK0mEz7az3ws-p0Xqf7GNS8KZPr2IaIdnZswMw0dK4cCLKJxmX4gJJnk6o0AAed15I4-tumtREmoOmgoRh-Q6YEmTanQk7uMwxJivxohB1A0CGzJ9XFNGC0prYeC58Srnv8cP4/s174/4stars.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="107" data-original-width="174" height="107" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiclkunzi0BViZ0GocclVGhhZbUNcJR713T5EQ9WqC2BnxlfZBKri8yirK0mEz7az3ws-p0Xqf7GNS8KZPr2IaIdnZswMw0dK4cCLKJxmX4gJJnk6o0AAed15I4-tumtREmoOmgoRh-Q6YEmTanQk7uMwxJivxohB1A0CGzJ9XFNGC0prYeC58Srnv8cP4/s1600/4stars.jpg" width="174" /></a></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-35003491869648705292024-02-16T18:30:00.009+00:002024-02-19T21:26:56.500+00:00The Iron Claw (2023)<p>For his third film, writer/director Sean Durkin delivers a feature based on the tragic true story of the Von Erich family. Believing that he was denied the chance to become a wrestling champion, the embittered Fritz Von Erich (Holt McCallany) has driven his sons to take that chance and become victorious. Set across the 1980s, The Iron Claw captures the familial triumphs and the tragedies which befell them inside and outside the ring.</p><p>My review of <i>The Iron Claw </i>is now available to read at <a href="https://www.nerdly.co.uk/2024/02/16/the-iron-claw-review/">Nerdly</a>.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPXBXUxBhVLawB7zr8iwnLUU8x4DWJeW7iiabafyD3ZO8s18bNgdKmp3UgKfZ-hkplm9HflIMw2V4uaOIXKTDRrepwIAb59dbLjLABwUh45sIlip49VlxPDZbIF-zAha2WG4r06izqAzGcuJslQnJ7OAy2EDP2xndFXplYDUg_Or61iAM1Tdyv_ERgzlo/s829/iron-claw-poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="829" data-original-width="560" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPXBXUxBhVLawB7zr8iwnLUU8x4DWJeW7iiabafyD3ZO8s18bNgdKmp3UgKfZ-hkplm9HflIMw2V4uaOIXKTDRrepwIAb59dbLjLABwUh45sIlip49VlxPDZbIF-zAha2WG4r06izqAzGcuJslQnJ7OAy2EDP2xndFXplYDUg_Or61iAM1Tdyv_ERgzlo/s320/iron-claw-poster.jpg" width="216" /></a></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-90730677104663640822024-02-16T14:30:00.013+00:002024-02-16T16:35:06.485+00:00Murdaritaville (2024)<p>Having released over 30 albums and sold over 20 million records worldwide, Jimmy Buffett is among the world’s best-selling music artists. Director Paul Dale (<i>Killer Kites</i>, <i>Sewer Gators</i>) and co-writer Dylan McGovern (<i>Fast Food & Cigarettes</i>, <i>Silent But Deadly</i>) have opted to base a horror-comedy around the tropical rocker, with the opening text describing <b><i>Murdaritaville</i></b> as “a weird love letter” to Buffett and his music.</p><p>My review of <i>Murdaritaville </i>is now available to read at <a href="https://www.nerdly.co.uk/2024/02/16/murdaritaville-review/">Nerdly</a>.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_N54XZvQAlIJuuEDgNzk_WcxKAC0N2Fwni4EePHx01ddj3VVOw1znrmxnTPKSL7y-OZrmYhUHFoVloPkOra0NL3dICr-gsiSBGqnTtnVO-4aUxHE6xhD38P0YLRbgyy1HHv1qKqQj9utJ5a8U7DJiKkM2NeG6lzNbTDpV7MoPh4L72GhMySPx4cHn9Zw/s840/murdaritaville-art.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="840" data-original-width="560" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_N54XZvQAlIJuuEDgNzk_WcxKAC0N2Fwni4EePHx01ddj3VVOw1znrmxnTPKSL7y-OZrmYhUHFoVloPkOra0NL3dICr-gsiSBGqnTtnVO-4aUxHE6xhD38P0YLRbgyy1HHv1qKqQj9utJ5a8U7DJiKkM2NeG6lzNbTDpV7MoPh4L72GhMySPx4cHn9Zw/s320/murdaritaville-art.jpg" width="213" /></a></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-81201745626475139232024-02-15T12:26:00.003+00:002024-02-15T12:26:19.456+00:00The After (2023)<p>Marking his directorial debut, director Misan Harriman opens The After with a familiar sight. Dayo (David Oyelowo) is a workaholic father who wears a suit and talks business on the phone, even while with his daughter. As he makes the decision to postpone a meeting in order to spend time with his family, that happiness is changed in a flash when tragedy strikes in violent ways.</p><p>My review of <i>The After </i>is now available to read at <a href="https://www.nerdly.co.uk/2024/02/15/the-after-short-film-review-netflix/">Nerdly</a>.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIxBAPSjXRUQtGc2vZuRfkfqWmFzQfmGj_l6T7Mu1F7oe5ylxQYg6lLalVF-UyUU5y9qe-3c5kzMEh3gGxQLbWh75OhNtsLILQnLMa9HxGyrlfCTo6HZ81xG1o9qvTBP3OWsiDB896jlOGCEs5cD71IISOuDo7On85kDDvjVV0oALrlgCTMTeAAJzG5Gs/s787/the-after-poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="787" data-original-width="560" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIxBAPSjXRUQtGc2vZuRfkfqWmFzQfmGj_l6T7Mu1F7oe5ylxQYg6lLalVF-UyUU5y9qe-3c5kzMEh3gGxQLbWh75OhNtsLILQnLMa9HxGyrlfCTo6HZ81xG1o9qvTBP3OWsiDB896jlOGCEs5cD71IISOuDo7On85kDDvjVV0oALrlgCTMTeAAJzG5Gs/s320/the-after-poster.jpg" width="228" /></a></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-29968438345216869932024-02-13T15:00:00.076+00:002024-02-13T15:02:36.844+00:00The Vance Institute (2023)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1bcTFEGCIaajz-R-clGY6cg0XVqRMHAxZRZSEgeNSF91siG5KxprpY5vufIWapU8bv00s8yEAUPz81eTCumUmgueRGLhgttYsXeTxBJvnLPNTDEY5Ung62VKoYFZ8RfiP31ij7Nje-G45zogqUZ4W4Hf-Fw6DKz61LzdNULA1a3otmCiPCP34-TaXlP8/s2100/tvi.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2100" data-original-width="1400" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1bcTFEGCIaajz-R-clGY6cg0XVqRMHAxZRZSEgeNSF91siG5KxprpY5vufIWapU8bv00s8yEAUPz81eTCumUmgueRGLhgttYsXeTxBJvnLPNTDEY5Ung62VKoYFZ8RfiP31ij7Nje-G45zogqUZ4W4Hf-Fw6DKz61LzdNULA1a3otmCiPCP34-TaXlP8/w133-h200/tvi.jpg" width="133" /></a></div><b><u>Director:</u></b> Lawrie Brewster<p></p><p><b><u>Running Time:</u></b> 90 Minutes</p><p><b><u>Starring:</u></b> Hannah New, Tom Malloy, David Josh Lawrence, Courtney Warner, Megan Tremethick, Jamie Scott Gordon, Gordon Holliday, Craig J. Seath</p><p><br /></p><p>It is an understand to say that <i style="font-weight: bold;">The Vance Institute</i> had a tough journey to reaching viewer's screens. A version of the film was released in 2023 under the title <i><a href="https://www.nerdly.co.uk/2023/08/17/trauma-therapy-psychosis-review/">Trauma Therapy: Psychosis</a></i>, although it is telling that director Lawrie Brewster had his name taken off that release - a cut which he considers "an unauthorized re-edit" of his film. When the opportunity arose to view the original cut, I took the chance out of curiosity and found the differences between the films clear from the opening moments.</p><p>On the run from the police, self-help guru Tobin Vance (Tom Malloy) has escaped to the UK in order to continue his secretive retreats. As five participants are selected to be part of a training program, they soon discover that nightmares await them disguised as promises to help better them. While the story may remain the same, the way it is approached is vastly different, allowing plot points room to breathe without exploitative inclusions which capitalize on Tom Sizemore's passing. The most notable difference is how, barring a striking moment presented in full colour, the film unfolds in black-and-white to make the unfolding horrors feel all the more stark.</p><p>Screenwriters/stars Tom Malloy and David Joshua Lawrence take aim at real-life organizations that promise so much while requesting penance, as the manipulations of Vance and his employees offer the participants resolution through physical and emotional torment. An early scene sees the group instructed to bring an item linked to their troubled past, only to be told that destroying it is their first step towards healing. The opposite is evidently clear in Vance's actions, using demeaning words like "weak" to anybody not blindly following his orders.</p><p>Among the group are the outspoken Jesse (Jamie Scott Gordon), whose time is spent investigating the institute, abuse survivor Nicole (Megan Tremethick), and the perpetually bullied Frank (Gordon Holliday). While some of them are disgusted at the methods employed, the influence of Vance and his cult proves persuasive and leads to some falling under their spell. While moments can arise where performances feel out of place, the cast decently capture these figures who are central to this unfolding terror.</p><p>The influence interestingly spreads to the employees also, as Vance finds his leadership questioned at times, although this element does feel unresolved by the time credits roll. Perhaps that thread is intended to be followed-up in a sequel? It is worth mentioning that some issues remain within this cut, as the scene of the participants revealing why they are there remains a hurdle to overcome in the name of set-up instead of a key moment of understanding. Despite such reservations, <b><i>The Vance Institute</i></b> is undoubtedly a stronger work than the retitled release.</p><p><i>The Vance Institute is now available to stream on Prime Video</i></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijOEGIAqcqZEWkxj5WQLI7_evZcWJSyTZKaOEyRd1WYrPfny6PdB3rjZ4goA5i_ctGnXWE3RkmG51dtmWJ6bZLzTsuiLGJcKXLqfDApvEvywYCRqqp43jYRGtFzJwpjjq6nLb-u9T9puwUqNOapBB2e89RFBuyc3VZ_UEKX0w4hFjQ8kJL5SdMZqwx6_A/s174/3stars.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="107" data-original-width="174" height="107" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijOEGIAqcqZEWkxj5WQLI7_evZcWJSyTZKaOEyRd1WYrPfny6PdB3rjZ4goA5i_ctGnXWE3RkmG51dtmWJ6bZLzTsuiLGJcKXLqfDApvEvywYCRqqp43jYRGtFzJwpjjq6nLb-u9T9puwUqNOapBB2e89RFBuyc3VZ_UEKX0w4hFjQ8kJL5SdMZqwx6_A/s1600/3stars.jpg" width="174" /></a></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0tag:blogger.com,1999:blog-6707462196197304831.post-4651114358333439552024-02-13T13:30:00.008+00:002024-02-13T14:22:02.922+00:00The Vanishing (1988)<p>Adapting Tim Krabbé’s novel <i>The Golden Egg</i>, writer/director George Sluizer begins <b><i>The Vanishing</i></b> with Dutch couple Rex (Gene Bervoets) and Saskia (Johanna Ter Steege) enjoy a biking holiday in France. That all changes when they stop at a gas station where Saskia enters to get drinks, only to vanish without a trace. Three years later, Rex remains as obsessed with finding his wife as he puts up posters and pleads his case on television. He is eventually approached by Raymond (Bernard-Pierre Donnadieu), an unassuming chemistry teacher who claims to know what happened.</p><p>My review of <i>The Vanishing </i>is now available to read at <a href="https://www.nerdly.co.uk/2024/02/13/rewind-the-vanishing-1988-review/">Nerdly</a>.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOSnp6vmSaCsNm_ePHnPWGZYAjhaBwofuIWFXPXsIq5o3znzuaXU1itaGxGIO2p4ScvKqWUpVfRiO-rjeutOz44BIZwiqox5nChwlwWpwliUmc9dlUjW23mcGuMEMK64hZooEHa6BKz1OFTMwYmM9fokG8gUYeVApIr_bS-vCHcpEQSrka9lt3g4s-Yz0/s1000/thevan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOSnp6vmSaCsNm_ePHnPWGZYAjhaBwofuIWFXPXsIq5o3znzuaXU1itaGxGIO2p4ScvKqWUpVfRiO-rjeutOz44BIZwiqox5nChwlwWpwliUmc9dlUjW23mcGuMEMK64hZooEHa6BKz1OFTMwYmM9fokG8gUYeVApIr_bS-vCHcpEQSrka9lt3g4s-Yz0/s320/thevan.jpg" width="256" /></a></div>James Rodrigueshttp://www.blogger.com/profile/09645619732278939228noreply@blogger.com0